Watching the Dark
An Inspector Banks Novel
William Morrow, February 2014
ISBN No. 978-0-06-228397-9
Lorraine Jensen, a patient at the St. Peter’s Police Treatment Center, is in the habit of getting up around dawn when her pain is keeping her awake to sit outside before the other members of the Center are up. As the light grew stronger, Lorraine thought she could see something like a bundle of clothes at the far side of the lake. Since Barry, the head groundsman and estate manager was in the habit of keeping the artificial lake and natural woodlands tidy, it was unusual to see anything that looked out of place. Although the grass was still wet with dew, Lorraine walked to where she had spotted the bundle of clothes. She did not get all the way to the spot when she realized that it was a dead body she was looking at and not a bundle of clothes.
DCI Alan Banks was immediately dispatched to St. Peter’s as soon as the authorities had been notified. Banks had visited Annie Cabbot there during her recent convalescence. Now Annie was due back to work on Monday and Banks was looking forward to working with her again. When Banks and the Dr. in attendance turned over the body, they found that the victim had been shot with a crossbow bolt. Lorraine recognized the corpse as DI Bill Quinn. Banks stated that he knew Quinn too but only in passing.
When Quinn’s room is searched, some photographs were found that placed Quinn in a compromising position. Quinn’s wife was deceased but the photographs looked as though they had been taken some time ago. Inspector Joanna Passero, of the Police Standards Division, is assigned to work with Banks to determine if Quinn has somehow done something that would reflect badly on himself as well as the department.
Banks feels hindered by Inspector Passero but has no choice in the matter. As he digs deeper into the case he keeps going back to a six-year-old missing person case that Quinn investigated and Banks is beginning to feel that there are crooked police officers involved in the old case as well as the current case of Quinn’s murder.
This is a fast moving story that keeps the reader guessing.
Reviewed by Patricia E. Reid, April 2014.
An Intercrime Novel
Pantheon Books, August 2013
A translation from the Swedish 1999 original.
This was an interesting experience, reading galleys from a book released over a year ago in the US. The original manuscript is even older, the book being first published in Swedish in 1999. All of that is explanation for the difficulties I encountered with this novel. Awkward strange phrases, missing words; are they the result of a less than stellar translation, difficulties with the original manuscript, or is some of the odd structure deliberate? Hard to say.
Still: Arne Dahl is a Hell of a writer. His vision of the world is often dark, troubling, awesome, and turbulent. Questions of good and evil, right or wrong, Islam or Christianity, dark versus light are all here, mostly unresolved. Crimes, the most horrific imaginable, perpetrated on the guilty and the innocent alike are here too in this dark crime novel. It is the story of a highly trained killing machine, a former member of a small elite American intelligence group that operated in Viet Nam. Disbanded after the war, the killing went on and the machine became a serial killer. But this is no ordinary serial killer.
An elite Swedish police unit is alerted by the FBI when a Swedish literary critic is murdered at an American airport. The killer eludes the police dragnet when he arrives in Sweden and subsequent information indicates he must be a killer who has long eluded the FBI. Or is he the reincarnation of a man destroyed in a fire years earlier?
The cast of characters, both in Sweden and the US is varied and excellent. The writer’s style is unusual and well suited to the subject matter, international conspiracy and crime. Add a large element of social commentary about some of our most troubling moral questions and the result is Bad Blood, a tension-filled thriller that is of immense proportions and a not entirely satisfying conclusion. Well worth the trouble.
Reviewed by Carl Brookins, August 2014.
Author of Red Sky, Devils Island, Hard Cheese, Reunion.
Little, Brown and Company, October 2010
In a story set both in England and the American West during the late 1950s to the present, the tale is mostly told through the eyes of Tom Bedford. A lonely child with older parents and a loving big sister, he’s an English child obsessed with watching American cowboy shows on television. His hero? The actor Ray Montane in the role of Flint McCullough, the epitome of tracker, rider, shooter and all around good guy. Tom couldn’t be happier when the day comes that his sister Diane, a rising British actress, is called for a part in one of the shows. She and Ray fall for one another and it isn’t long before she’s off to Hollywood and American fame and films.
Then we learn that instead of being his sister, Diane is Tom’s mother. She’s able to finally claim Tommy now, with Ray’s support, and Tom happily accompanies them to America where he learns to ride and shoot, living out his dreams. Until, that is, a violent blow-up brings them all down.
Shoot forward three or four decades. Tom is living now in Montana. He’s divorced from his wife when it comes out that his son Danny, estranged from him for many years, is up for court martial charged with the multiple murder of an Iraqi family.
Since I absolutely hated The Horse Whisperer, especially the ending, I’ve been reluctant to read another Nicholas Evans book. However, I can categorically state that The Brave is excellent, and that I’m happy I received this book to review. The storyline, the characters, the emotion throughout are outstanding and, as one would expect from a writer of this repute, the writing is excellent. Learning about the Hollywood of the 1950s is riveting.
The Brave receives my recommendation.
Reviewed by Carol Crigger, June 2014.
Author of Three Seconds to Thunder.