Book Review: Death in Tranquility by Sharon Linnéa @SharonLinnea @ArundelBooks @partnersincr1me

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Death In Tranquility

by Sharon Linnéa

February 1-28, 2021 Tour

Purchase Links:
Barnes & Noble // Amazon // The Bookstore Plus
 
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Death in Tranquility
The Bartender’s Guide to Murder #1
Sharon Linnéa
Arundel Publishing, September 2020
ISBN 978-1-933608-15-0
Trade Paperback

From the publisher—


No one talks to the cops. Everyone talks to the bartender. And Avalon Nash is one hell of a bartender.

Avalon is on the run from her life in Los Angeles. Having a drink while waiting to change trains in the former Olympic town of Tranquility, New York, she discovers the freshly murdered bartender at MacTavish’s. A bartender herself, she’s offered the position with the warning he wasn’t the first MacTavish’s bartender to meet a violent end.

Avalon’s superpower is collecting people’s stories, and she’s soon embroiled in the lives of artists, politicians, ghost hunters and descendants of Old Hollywood.

Can Avalon outrun the ghosts of her past, catch the ghosts of Tranquility’s past and outsmart a murderer?

The first book in the Bartender’s Guide to Murder series offers chills, laughs, and 30 of the best drink recipes ever imbibed.

Bartenders are known to be good listeners, able to keep customers’ secret flaws and foibles to themselves, but they don’t typically find dead bodies. When Avalon Nash finds one that just happens to be the tender of the particular bar she drifted into, it’s natural that she would step into his position, being a bartender herself. Her new, if temporary, position puts her in the perfect spot to do a little investigating through what she hears, helping the police dontchaknow, and it soon becomes obvious to her that secrets abound in this former Olympic town, not least of which are her own.

Besides secrets, we find that there are a myriad of personality types in Tranquility, not to mention motives, and the twists and turns abound, making this a very entertaining way to while away a few hours in the doldrums of February.  Ms. Linnéa has a humorous, clever way of writing and she pulled me right into the story; I love this little town and its eccentric citizens and, oh, an added benefit is the plethora of enticing drink recipes I’m going to have to try 😉

Reviewed by Lelia Taylor, February 2021.

An Excerpt from Death in Tranquility

Chapter 1

Death in the Afternoon
“Whenever you see the bartender, I’d like another drink,” I said, lifting my empty martini glass and tipping it to Marta, the waitress with teal hair. “Everyone wants another drink,” she said, “but Joseph’s missing. I can’t find him. Anywhere.” “How long has he been gone?” I asked. “About ten minutes. It’s not like him. Joseph would never just go off without telling me.” That’s when I should have done it. I should have put down forty bucks to cover my drink and my meal and left that magical, moody, dark-wood paneled Scottish bar and sauntered back across the street to the train station to continue on my way. If I had, everything would be different. Instead I nodded, grateful for a reason to stand up. A glance at my watch told me over half an hour remained until my connecting train chugged in across the street. I could do Marta a solid by finding the bartender and telling him drink orders were stacking up. Travelling from Los Angeles to New York City by rail, I had taken the northern route, which required me to change trains in the storied village of Tranquility, New York. Once detrained, the posted schedule had informed me should I decide to bolt and head north for Montreal, I could leave within the hour. The train heading south for New York City, however, would not be along until 4 p.m. Sometimes in life you think it’s about where you’re going, but it turns out to be about where you change trains. It was an April afternoon; the colors on the trees and bushes were still painting from the watery palate of spring. Here and there, forsythia unfurled in insistent bursts of golden glory. I needed a drink. Tranquility has been famous for a long time. Best known for hosting the Winter Olympics back in 19-whatever, it was an eclectic blend of small village, arts community, ski mecca, gigantic hotels and Olympic facilities. Certainly there was somewhere a person could get lunch. Perched on a hill across the street from the station sat a shiny, modern hotel of the upscale chain variety. Just down the road, father south, was a large, meandering, one-of-a-kind establishment called MacTavish’s Seaside Cottage. It looked nothing like a cottage, and, as we were inland, there were no seas. I doubted the existence of a MacTavish. I headed over at once. The place evoked a lost inn in Brigadoon. A square main building of a single story sent wings jutting off at various angles into the rolling hills beyond. Floor-to-ceiling windows made the lobby bright and airy. A full suit of armor stood guard over the check-in counter, while a sculpture of two downhill skiers whooshed under a skylight in the middle of the room. Behind the statue was the Breezy, a sleek restaurant overlooking Lake Serenity (Lake Tranquility was in the next town over, go figure). The restaurant’s outdoor deck was packed with tourists on this balmy day, eating and holding tight to their napkins, lest they be lost to the murky depths. Off to the right—huddled in the vast common area’s only dark corner—was a small door with a carved, hand-painted wooden sign which featured a large seagoing vessel plowing through tumultuous waves. That Ship Has Sailed, it read. A tavern name if I ever heard one. Beyond the heavy door, down a short dark-wood hallway, in a tall room lined with chestnut paneling, I paused to let my eyes adjust to the change in light, atmosphere, and, possibly, century. The bar was at a right angle as you entered, running the length of the wall. It was hand-carved and matched the back bar, which held 200 bottles, easily. A bartender’s dream, or her undoing. Two of the booths against the far wall were occupied, as were two of the center tables. I sat at the bar. Only one other person claimed a seat there during this low time between meal services. He was a tall gentleman with a square face, weathered skin, and dark hair pulled back into a ponytail. I felt his cold stare as I perused the menu trying to keep to myself. I finally gave up and stared back. “Flying Crow,” he said. “Mohawk Clan.” “Avalon,” I said. “Train changer.” I went back to my menu, surprised to find oysters were a featured dish. “Avalon?” he finally said. “That’s—” “An odd name,” I answered. “I know. Flying Crow? You’re in a Scottish pub.” “Ask him what Oswego means.” This was from the bartender, a lanky man with salt-and-pepper hair. “Oh, but place your order first.” “Are the oysters good?” I asked. “Oddly, yes. One of the best things on the menu. Us being seaside, and all.” “All right, then. Oysters it is. And a really dry vodka martini, olives.” “Pimento, jalapeño, or bleu cheese?” “Ooh, bleu cheese, please.” I turned to Flying Crow. “So what does Oswego mean?” “It means, ‘Nothing Here, Give It to the Crazy White Folks.’ Owego, on the other hand means, ‘Nothing Here Either.’” “How about Otego? And Otsego and Otisco?” His eyebrow raised. He was impressed by my knowledge of obscure town names in New York State. “They all mean, ‘We’re Just Messing with You Now.’” “Hey,” I said, raising my newly delivered martini. “Thanks for coming clean.” He raised his own glass of firewater in return. “Coming clean?” asked the bartender, and he chuckled, then dropped his voice. “If he’s coming clean, his name is Lesley.” “And you are?” I asked. He wasn’t wearing a name tag. “Joseph.” “Skål,” I said, raising my glass. “Glad I found That Ship Has Sailed.” “That’s too much of a mouthful,” he said, flipping over the menu. “Everyone calls it the Battened Hatch.” “But the Battened Hatch isn’t shorter. Still four syllables.” “Troublemaker,” muttered Lesley good-naturedly. “I warned you.” “Fewer words,” said Joseph with a smile that included crinkles by his eyes. “Fewer capital letters over which to trip.” As he spoke, the leaded door banged open and two men in chinos and shirtsleeves arrived, talking loudly to each other. The door swung again, just behind them, admitting a stream of ten more folks—both women and men, all clad in business casual. Some were more casual than others. One man with silvering hair actually wore a suit and tie; another, a white artist’s shirt, his blonde hair shoulder-length. The women’s garments, too, ran the gamut from tailored to flowing. One, of medium height, even wore a white blouse, navy blue skirt and jacket, finished with hose and pumps. And a priest’s collar. “Conventioneers?” I asked Joseph. Even as I asked, I knew it didn’t make sense. No specific corporate culture was in evidence. He laughed. “Nah. Conference people eat at the Blowy. Er, Breezy. Tranquility’s Chamber of Commerce meeting just let out.” His grey eyes danced. “They can never agree on anything, but their entertainment quotient is fairly high. And they drive each other to drink.” Flying Crow Lesley shook his head. Most of the new arrivals found tables in the center of the room. Seven of them scooted smaller tables together, others continued their conversations or arguments in pairs. “Marta!” Joseph called, leaning through a door in the back wall beside the bar. The curvy girl with the teal hair, nose and eyebrow rings and mega eye shadow clumped through. Her eyes widened when she saw the influx of patrons. Joseph slid the grilled oysters with fennel butter in front of me. “Want anything else before the rush?” He indicated the well-stocked back bar. “I’d better hold off. Just in case there’s a disaster and I end up having to drive the train.” He nodded knowingly. “Good luck with that.” I took out my phone, then re-pocketed it. I wanted a few more uncomplicated hours before re-entering the real world. Turning to my right, I found that Flying Crow had vanished. In his stead, several barstools down, sat a Scotsman in full regalia: kilt, Bonnie Prince Charlie jacket and a fly plaid. It was predominantly red with blue stripes. Wow. Mohawk clan members, Scotsmen, and women priests in pantyhose. This was quite a town. Joseph was looking at an order screen, and five drinks in different glasses were already lined up ready for Marta to deliver. My phone buzzed. I checked caller i.d. Fought with myself. Answered. Was grabbed by tentacles of the past. When I looked up, filled with emotions I didn’t care to have, I decided I did need another drink; forget driving the train. The line of waiting drink glasses was gone, as were Marta and Joseph. I checked the time. I’d been in Underland for fifteen minutes, twenty at the most. It was just past three. I had maybe forty-five minutes before I should move on. That was when Marta swung through the kitchen door, her head down to stave off the multiple calls from the center tables. She stood in front of me, punching information into the point of sale station, employing the NECTM—No Eye Contact Tactical Maneuver. That’s when she told me Joseph was missing. “Could he be in the restroom?” “I asked Arthur when he came out, but he said there was nobody else.” I nodded at Marta and started by going out through the front hall, to see if perhaps he’d met someone in the lobby. As I did a lap, I overheard a man at check-in ask, “Is it true the inn is haunted?” “Do you want it to be?” asked the clerk, nonplussed. But no sign of the bartender. I swung back through into the woodsy-smelling darkness of the Battened Hatch, shook my head at the troubled waitress, then walked to the circular window in the door. The industrial kitchen was white and well-lit, and as large as it was, I could see straight through the shared kitchen to the Breezy. No sign of Joseph. I turned my attention back to the bar. Beyond the bar, there was a hallway to the restrooms, and another wooden door that led outside. I looked back at Marta and nodded to the door. “It doesn’t go anywhere,” she said. “It’s only a little smoker’s deck.” I wondered if Joseph smoked, tobacco or otherwise. Certainly the arrival of most of a Chamber of Commerce would suggest it to me. I pushed on the wooden door. It seemed locked. I gave it one more try, and, though it didn’t open, it did budge a little bit. This time I went at it with my full shoulder. There was a thud, and it wedged open enough that I could slip through. It could hardly be called a deck. You couldn’t put a table—or even a lounge chair—out there. Especially with the body taking up so much of the space. It was Joseph. I knelt quickly and felt for a pulse at his neck, but it was clear he was inanimate. He was sitting up, although my pushing the door open had made him lean at an angle. I couldn’t tell if the look on his face was one of pain or surprise. There was some vomit beside him on the deck, and a rivulet down his chin. I felt embarrassed to be seeing him this way. Crap. He was always nice to me. Well, during the half an hour I’d known him, he had been nice to me. What was it with me discovering corpses? It was certainly a habit of which I had to break myself. Meanwhile, what to do? Should I call in the priest? But she was within a group, and it would certainly start a panic. Call 911? Yes, that would be good. That way they could decide to call the hospital or the police or both. My phone was back in my purse. And, you know what? I didn’t want the call to come from me. I was just passing through. I pulled the door back open and walked to Marta behind the bar. “Call 911,” I said softly. “I found Joseph.” It took the ambulance and the police five minutes to arrive. The paramedics went through first, then brought a gurney around outside so as to not freak out everyone in the hotel. They loaded Joseph on and sped off, in case there was anything to be done. I knew there wasn’t. The police, on the other hand, worked at securing the place which might become a crime scene. They blocked all the doorways and announced no one could leave. I was still behind the bar with Marta. She was shaking. “Give me another Scotch,” said the Scotsman seated there. I looked at the bottles and was pleasantly surprised by the selection. “I think this calls for Black Maple Hill,” I said, only mildly surprised at my reflexive tendency to upsell. The Hill was a rich pour but not the absolute priciest. He nodded. I poured. I’m not sure if it was Marta’s tears, or the fact we weren’t allowed to leave, but local bigwigs had realized something was amiss. “Excuse me,” the man in the suit came to the bar. “Someone said Joseph is dead.” “Yes,” I said. “He does seem to be.” Marta swung out of the kitchen, her eyeliner half down her face. “Art, these are your oysters,” she said to the man. He took them. “So,” he continued, and I wondered what meaningful words he’d have to utter. “You’re pouring drinks?” It took only a moment to realize that, were I the owner of this establishment, I’d find this a great opportunity. “Seems so,” I said. “What goes with oysters?” he asked. That was a no-brainer. I’d spied the green bottle of absinthe while having my own meal. I poured about three tablespoons into the glass. I then opened a bottle of Prosecco, poured it, and waited for the milky cloud to form. He took a sip, looked at me, and raised the glass. “If I want another of these, what do I ask for?” As he asked, I realized I’d dispensed one of Ernest Hemingway’s favorite libations. “Death in the Afternoon,” I replied. He nodded and went back to his table. It was then I realized I wasn’t going to make my train. * *

Ernest Hemingway’s Death in the Afternoon

Ingredients

• 3 tablespoons (1 1/2 ounces) absinthe • ½ to ¾ cup (4 to 6 ounces) cold Champagne or sparkling wine

Method

Hemmingway’s advice, circa 1935: “Pour one jigger absinthe into a Champagne glass. Add iced Champagne until it attains the proper opalescent milkiness. Drink three to five of these slowly.”

Chapter 2

No Known Address
Since I found the body, I got to talk to the lead investigator. He was in his mid-thirties, just under six feet, walnut skin, black hair cut short. He would have benefitted from a beard. He looked ripped; the king of ripped you got from taking out your frustrations in the gym. His demeanor was no-nonsense. “Investigator Spaulding,” he said, and he pulled out a notebook. “State Police.” “State Police? Isn’t that the same as State Troopers? Don’t you manage highways?” He stopped writing in his small, leather-covered notebook and looked up. “Common misconception. The local P.D. is small—only 9 on staff. When something big happens, they ask for assistance.” “They ask?” “It’s a dance.” I wasn’t a suspect (yet), so he didn’t need to write down my stats, but I could read upside down as he made notes. He asked my name, and began guessing at the rest. Nash, Avalon. Female. Caucasian. Blonde hair. 5’7 was his guess at my height. The next thing he wrote down could go seriously south, so I said, “healthy weight.” He looked up. “5’7” and at a healthy weight,” I supplied. “If I’m charged with something, we’ll get more specific.” “Age?” Did he really need to know all of this? “Twenties,” I said, waiting to see if he’d have the gall to object. He didn’t. “Best way to reach you?” I gave him my cell number. “Permanent address?” “I don’t have one.” He looked up. “I’m in the process of moving from California to New York. I’m only in town to change trains. I don’t have a New York address yet.” “A relative’s address?” I held up my phone. “This is your golden ticket,” I said. “If you want to reach me, this is it.” I saw him write ‘no known address.’ Yep, that pretty much summed it up. I glanced at my watch. Seven minutes until my train pulled into—and, soon after, departed from—the station. “Um, Detective,” I started. “Investigator Spaulding,” he corrected. “Investigator Spaulding, my train is about to arrive. I don’t know anything except what I’ve told you. I came in for a drink and helped Marta find the bartender, whom I hope died of a massive heart attack—well, of natural causes. You know what I mean.” At that point, his phone buzzed and he gave me a just-a-minute finger. He answered, listened for a while, and started to write. Then he hung up, flipped his notebook shut and said, “I can’t let you leave. He was murdered.” “Great,” I said, the tone somewhere between rueful and intrigued, as I headed back toward Marta, then I turned back toward Investigator Spaulding. “Can I continue to pour drinks?” He considered less than a moment. “By all means, serve truth serum to anyone who will imbibe.” Then he turned and walked toward the other officers. I went to stand with Marta behind the bar. In my imagination, I heard the train chug in across the street. Investigator Spaulding cleared his throat, and the room went silent. “Ladies and gentlemen,” he said. “This is now a homicide investigation.” He had to pause as everyone shuffled or gasped, or cried out. “Please do not leave until we have taken your statement.” A woman in her fifties came and sat down in front of me at the bar. Her hair was in a no-fuss bob, she wore a free-flowing skirt with a linen jacket, both of which were in style twenty years ago, but they worked on her. “Got anything stronger than those Death things?” she asked. “I’m not big on Champagne.” “Sure.” I said. I sized her up. “Layers in a martini glass work for you?” “Honey, it’s the strength, not the glass.” She looked shaken and sad. I went for the rums and found Malibu Black, the stronger brother of the original. What a bartender Joseph must have been! I decided to try something new. Malibu Black, mango pineapple vodka, and pineapple juice. I mixed it over ice, shook, and poured. I sank some Chambord and topped it with Jägermeister Spice. “See if this does it,” I said. Her hand shook slightly as she held up the glass, appreciated the layers, and then took a sip. The jury was out. She took another. She nodded and smiled. It occurred to me that everyone in the room knew Joseph. They’d lost one of their own. Another woman in skinny white pants and a white shell with a fancy pink sports jacket came and sat next to her. They were about the same age, if I had to guess, but the new woman was thin as a rail, muscular, and with her blonde hair in a ponytail. I was guessing she colored her hair not from a darker shade, but to cover the white. The two women embraced. “Suzanne,” said the new arrival. “Gillian,” said no-fuss-bob Suzanne. Then, “Can’t believe it.” “I can’t, either,” replied hard-bodied Gillian. She had the remains of an Eastern European accent. They sat a respectful moment. “What are you drinking?” Suzanne looked at me. “No Known Address,” I said. “Okay,” Gillian said. “I’ll have one.” She then turned and I was dismissed to my task. “I can’t believe it. One of the only straight, available guys between forty and crotchety, and he’s gone!” said Suzanne. “There’s Mike,” Gillian said, tilting her head toward the state police investigator. “And I’m not sure Joseph was available.” “First, really? Maybe if he worked out. Second, you or I crook our little fingers and get a guy away from Sophie.” They both looked back, shooting daggers toward one of the three women in the center wall booth. I knew which must be Sophie, as one of them was crying copiously while the other two petted her solicitously. “And do we have a suspect?” asked pink jacket Gillian. This time, they looked at a younger woman who sat at a table with two newly arrived Chamber men. She was gorgeous—skin the color of chai latte and hair as dark as a sky at new moon. She was staring off into space. I almost said, “You know I can hear you.” But maids, taxi drivers, and bartenders… well, we’re invisible, which is partly how we get the good gossip. They stopped talking abruptly as two men approached. “Can we get some food?” asked the first. He was in a polo and navy blue slacks. I heard snuffling and saw that Marta was in the shadows, leaning back against the wall. “Hey,” I said, “would you ask the chef if we can continue to order food?” She nodded and swung through the kitchen door. Arthur, the man in the suit who had ordered earlier, accompanied the newcomer in the polo. Arthur addressed his companion in an audible hiss. “I’m telling you… we can’t let word of this get out. Tranquility has to be considered a safe haven. For everyone. For…the festival folks. It’s part of what lures them here. Change of pace.” “How do we not let the word get out? It’s a matter of record! And everyone in town knows about it—or will, within minutes.” From the furious pace of thumbs texting throughout the room, it was clear he was correct. “I mean, don’t print this as front-page news.” “It is front page news, Art. And, the film festival folks are already committed. They’ve submitted their films. They’ll come.” Marta returned with a positive nod. I slapped down two menus. “Marta will be out to take your order,” I said. As they turned, I added. “And if it’s a film festival, you don’t need to worry. Film people eat news like this for breakfast.” Arthur looked at me in surprise, but gave a raised-eyebrows look that inferred I could have a point. They left with the menus and I turned back to Marta, trying to help get her mind on something other than her boss’s death. “Can you help me add these drinks to people’s tabs?” I nodded toward the POS. For the record, I hate point of sale machines. Each one hates humans in its own unique way. I pointed at people and she pulled up their tabs and showed me how to input the drinks I’d served. I only had the Scotsman’s tab left undone when the man in the artist’s shirt stopped right before me. He was likely late 40s and had a face that was long but not unattractive. His shoulders were unusually broad, and he exuded self-confidence and a self-trained impishness. His shirt had one too many buttons left undone. “Okay,” he said, “I wasn’t going to drink, but Joe…” “You weren’t going to drink because it’s late afternoon, or because you’ve been sober for seven months?” I had no interest in tipping someone off the wagon. He laughed. “I haven’t been drinking because this isn’t my favorite crowd,” he said. “And I don’t usually drink. But murder seems an excuse, if there ever was one.” He extended his hand. “Michael Michel,” he said, and smiled, waggling his eyebrows as if this should mean something to me. I took his hand and shook. It was apparent I didn’t recognize him. “The Painter Who Brings You Home,” he said, and the trademark practically bled from the words. “Right,” I said, trying to sound impressed. “Nice to meet you. I’m Avalon. What’ll ya have?” “Vodka tonic lime.” “Care which vodka?” He shook his head while saying, “Whatever you’ve got. Grey Goose.” Ah, a fellow who pretended not to drink, who knew exactly what he wanted. I poured and went for the garnish tray. The limes were gone. I looked at the back bar and found lemons and oranges. No limes, though clearly there had been some. I walked along the front bar and found, below patron eye level, a small cutting board with a lime on it. The lime was half-cut, some of them in rounds, a few in quarters. Some juice was dripping down onto the floor. I reached for a wedge, and then I stopped short. Joseph never would have left this on purpose. It was obviously what he’d been doing when he was interrupted by death—or someone who led him to his death. Or by symptoms that eventually spelled death. I leaned down and sniffed. It was lime-y. But there was something else, also. I backed away. I walked over to Marta and said, quietly, “Don’t let anyone near that end of the bar.” Then I walked over to Investigator Spaulding, where he sat at a booth interviewing someone. “Investigator?” I said. “Sorry to interrupt, but this is important.” He looked at me, squinting, then seemed surprised, since I’d made such a point of being Ms. Just-Passing-Through. He stood up and stepped away from the booth. “I believe I’ve found the murder weapon,” I said. As we walked together, I realized that the door to the smoker’s porch sat open. It was crawling with half a dozen or so more crime scene people. Together we walked to the limes. I said, “Don’t touch them. If this is what Joseph was doing when he died, if they are poisoned, my guess is that the poison can be absorbed through the skin.” Investigator Spaulding looked at me like, Of course I knew that, but he stepped back. As another officer and two crime scene investigators came over, I backed away, removing myself as far as possible from the action. I returned to the Artist Shirt. “I think today we’re going with a lemon and a cherry,” I said. I smelled them before putting them in the drink. It struck me then that perhaps Joseph hadn’t been the intended target. Maybe there was someone who consistently ordered a drink garnished with lime, and the murderer had injected the poison into the lime, not realizing it could be absorbed as well as ingested. Like, for instance, the man before me, Mr. Vodka Tonic Lime. Still, this was a pretty non-specific way of poison delivery. The limes could have been served to half a dozen people before anyone realized they were toxic. Who would do something like that? The police were letting people go once they had been interviewed. I asked Investigator Spaulding if I could go. He nodded, adding, “Please stay in town until tomorrow morning, in case we have any further questions.” As if I had a choice. All the trains had gone, except the 11 p.m. to Montreal. The bar had been sealed off with crime-scene tape, a welcome relief as I didn’t relish closing a dead man’s station on the night of his murder. Why would I even think that? I didn’t work here. But my need to leave a bar in pristine condition ran down to bone and marrow. As I headed for my bag, which I’d left on my original stool, I saw I wouldn’t even be allowed to access the POS machine. The only patron whose drink I hadn’t input was the man in the kilt. I looked around the emptying room to find he’d moved to a pub table over to the side. “Sorry, sir,” I said. “I wasn’t able to enter your drinks into the machine. I guess you’re on the honor system to pay up another day.” He gave a small smile. “Lass,” he said, “I’m Glenn MacTavish. Owner of this place. Seems I’m out a bartender and will be needing another. You have any interest?” he asked. I stopped and stared. “There’s really a MacTavish?” I asked. “Aye, and you’re looking at him.” “But… you don’t know anything about me.” “You keep a clear head and you know what you’re doin’. That’s all I really need to know. Besides, you don’t know anything about me, either.” “I, well—thank you for the offer. It’s a beautiful bar. Can I think on it overnight? I’ve been told not to leave town.” “Aye,” he said. “You can tell me in the mornin’ if you might be stayin.’ And while you’re decidin’, I could pay you for your services tonight with a room here at the hotel.” That seemed fair. The Hotel Tonight app was offering me a room at a local chain. Staying at MacTavish’s Seaside Cottage for free seemed infinitely more attractive. “All right,” I said. “I should probably let you know they’re expecting me in New York City.” “All right,” he said. “I should probably let you know Joseph isn’t the first bartender to work here who’s been murdered.” * *

No Known Address

Ingredients

• ½ oz. Malibu black • 2 dashes Chambord • ½ oz. mango pineapple vodka • 2 dashes Jägermeister Spice • 1 oz. pineapple juice

Method

Shake pineapple vodka, Malibu Black and pineapple juice over ice and strain evenly into martini glasses. Sink a dash of Chambord into each flute by running it down the side of the glass. Layer a dash of Jägermeister Spice in each glass. *** Excerpt from Death in Tranquility by Sharon Linnéa. Copyright 2020 by Sharon Linnéa. Reproduced with permission from Sharon Linnéa. All rights reserved.

 

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About the Author

 

Sharon Linnéa wrote the bestselling Eden Series (Chasing Eden, Beyond Eden, Treasure of Eden and Plagues of Eden) with B.K. Sherer, as well as the standalone These Violent Delights, a movie murder series. She enjoyed working with Axel Avian on Colt Shore: Domino 29, a middle-grade spy thriller. She is also the author of Princess Ka’iulani: Hope of a Nation, Heart of a People about the last crown princess of Hawaii which won the prestigious Carter Woodson Award, and Raoul Wallenberg: the Man Who Stopped Death. She was a staff writer for five national magazines, a book editor at three publishers, and a celebrity ghost. She lives outside New York City with her family. In Orange County, she teaches The Book Inside You workshops with Thomas Mattingly.

Catch Up With Sharon On: www.SharonLinnea.com BartendersGuidetoMurder.com Goodreads BookBub Instagram Twitter Facebook

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Follow the tour here.

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Giveaway

This is a rafflecopter giveaway hosted by Partners in Crime Virtual
Book Tours for Sharon Linnéa. There will be SIX (6) winners: ONE (1)
winner will receive one (1) Amazon.com Gift Card and FIVE (5) winners
will each receive one (1) copy of Death In Tranquility by Sharon Linnéa.
(These five (5) winners will have their choice of eBook or Print
edition however print editions will only be shipped to U.S. addresses).
The giveaway begins on February 1, 2021 and runs through
March 2, 2021. Void where prohibited.

Enter here.

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Book Review: Winter Witness by Tina deBellegarde @tdbwrites @levelbestbooks @partnersincr1me

Winter Witness by Tina deBellegarde Banner

 

Winter Witness

by Tina deBellegarde

on Tour November 1-30, 2020

Synopsis:

Winter Witness by Tina deBellegarde

When a beloved nun is murdered in a sleepy Catskill Mountain town, a grieving young widow finds herself at the center of the turmoil. Bianca St. Denis is searching for a job and seeking acceptance in her new home of Batavia-on-Hudson. Agatha Miller, the nun’s closest friend and the ailing local historian everyone loves to hate, shares her painful personal history and long-buried village secrets with Bianca. Armed with this knowledge, Bianca unravels the mysteries surrounding the death while dealing with the suspicions of her eccentric neighbors.

 

However, Bianca’s meddling complicates the sheriff’s investigation as well as his marriage. Can Sheriff Mike Riley escape his painful past in a town where murder and infighting over a new casino vie for his attention?

 

Danger stalks Bianca as she gets closer to the truth. Can the sheriff solve the mystery before the killer strikes again? Can the town heal its wounds once the truth has been uncovered?

Book Details:

Genre: Traditional Mystery Published by: Level Best Books Publication Date: September 29, 2020 Number of Pages: 282 ISBN: 978-1-947915-76-3 Series: Batavia-on-Hudson Mystery, #1 Purchase Links: Amazon | Apple Books | Barnes & Noble | Kobo | Goodreads | Oblong Books and Music

My Review

A bone-chilling mountain winter takes the front seat in deBellegarde’s debut that’s full of vivid characterizations that evoke not only the charm of a small town but also its unique atmosphere and secrets. Bianca is new to town but is drawn into the investigation, along with Sheriff Mike Riley, at least partly because of her journalistic background but it’s also an escape from the grief that surrounds the young widow. Her story is a compelling one but so is Mike’s with his troubled marriage and his PTSD-driven flight from the big city to this seemingly peaceful village. No less interesting is Sister Elaine; why on earth would anyone want her dead?

Batavia-on-Hudson is a town I’d like very much to visit, to get to know its townsfolk with all their failings and endearing idiosyncrasies. Villages like this one can seem like a fishbowl where everyone knows every detail about your life but, in fact, one can never truly know one’s neighbor or the shopkeeper on the village square or the librarian. The author’s deft touch with the underlying murder investigation is intriguing but its her characters who really come to life and I already want to know what will happen with them in the next book.

Reviewed by Lelia Taylor, November 2020.

Read an excerpt:

CHAPTER ONE
Thursday, December 15 She could have been sleeping, were it not for the gaping gash in the back of her head and the bloody stone next to her limp body. Sheriff Mike Riley stood alone on the shore of the near-frozen lake. At his feet, Sister Elaine Fisher lay face down, ice crystals forming around her body where it met the shoreline. The murmuring water of the nearby stream imparted a peacefulness at odds with the scene. In the waning winter light, he paused ankle deep in the snow illuminated by the beat of red strobe lights. Murder seemed so extreme. The villagers would be baffled. Murder didn’t happen in sleepy Batavia-on-Hudson. An occasional stolen bicycle, some were paid off the books, but that was hardly worth mentioning. Lately, there had been a handful of amateur burglaries. Murder was another story altogether. But there was no denying it. Elaine’s body was there before him, lifeless on a cushion of snow at the edge of the lake. Sheriff Riley ran his chapped hands through his salt and pepper hair. A knowing person might have noticed that he used this motion to disguise a quick brush at his cheek, to eliminate the one tear that slipped through. He feared this day, the day his lazy job would bring him face to face once again with the ugly underbelly he knew existed even in a quiet place like Batavia-on-Hudson. Mike Riley wasn’t afraid of death. He was afraid of the transformation a village like this was bound to go through after an act of murder. He cried for Elaine; though he barely knew her. But also, he cried for the village that died with her that morning. A place where children still wandered freely. A village that didn’t lock doors, and trusted everyone, even the ones they gossiped about. Now, inevitably, the villagers would be guarded around each other, never quite sure anymore if someone could be trusted. He thought he could already hear the locks snapping shut in cars and homes as word of the murder got out. Mothers yanking children indoors, hand-in-hand lovers escaping the once-romantic shadows of the wooded pathways, and old ladies turning into shut-ins instead of walking their dogs across the windy bluff. Sheriff Riley steeled himself not just to confront the damaged body of the first murder victim of Batavia in over seventy years, but to confront the worried faces of mothers, the defeated faces of fathers and the vulnerable faces of the elderly. He squatted in the slush, wincing as his bad knee rebelled, and laid his hands on Elaine’s rough canvas jacket, two-sizes too big—one of her thrift shop purchases, no doubt. As reverently as was possible in the muddy snow, Mike Riley turned over her body to examine the face of a changing village. Sister Elaine had no one left, she had no known siblings and of course, no spouse or children. Only Agatha Miller, her childhood companion, could have been considered next of kin. How Elaine had tolerated her grumpy old friend was a mystery to everyone. The sheriff knew that Elaine’s death would rock the community. Even a relative outsider like Mike understood that Elaine had been an anchor in Batavia. Her kindness had given the village heart, and her compassion had given it soul. No one would be prepared for this. Mike knew from experience that preparation for death eases the grief. You start getting ready emotionally and psychologically. You make arrangements. You imagine your life without someone. But Mike also knew that when the time comes it still slaps you in the face, cold and bracing. And you realize you were only fooling yourself. Then somehow, in short order, work becomes demanding, bills need to be paid and something on the radio steals a chuckle right out of your throat. For a brief second you realize that there are moments of respite from your grief and perhaps someday those moments will expand and you may be able to experience joy once again. But for now, Elaine’s death will be a shock. No one had prepared for her death, let alone her murder. *** Excerpt from Winter Witness by Tina deBellegarde. Copyright 2020 by Tina deBellegarde. Reproduced with permission from Tina deBellegarde. All rights reserved.

 

Author Bio:

Tina deBellegarde

Tina deBellegarde lives in Catskill, New York with her husband Denis and their cat Shelby. Winter Witness is the first book in the Batavia-on-Hudson Mystery Series. Tina also writes short stories and flash fiction. When she isn’t writing, she is helping Denis tend their beehives, harvest shiitake mushrooms, and cultivate their vegetable garden. She travels to Japan regularly to visit her son, Alessandro. Tina did her graduate studies in history. She is a former exporter, paralegal, teacher, and library clerk.

Catch Up With Tina deBellegarde: tinadebellegarde.com, Goodreads, BookBub, Instagram, Twitter, & Facebook!

 

Tour Participants:

Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

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Enter To Win!:

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Tina deBellegarde. There will be 6 winners. Two (2) winners will each win one (1) Amazon.com Gift Card; two (2) winners will each win one (1) physical copy of Winter Witness by Tina deBellegarde (U.S. addresses only); and two (2) winners will each win one (1) eBook copy of Winter Witness by Tina deBellegarde The giveaway begins on November 1, 2020 and runs through December 2, 2020. Void where prohibited.

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A Passel of Teeny Reviews, Part 6 @nancyjcohen @JSpencerFleming @MinotaurBooks @CharlesFinch @BevLongBooks @HarlequinBooks @SusanSpann @SeventhStBooks

Once again, big surprise, I find myself with
an overload of books read but not yet reviewed
so I think it’s time for a roundup or two…

Easter Hair Hunt
A Bad Day Hair Mysteries #16
Nancy J. Cohen
Orange Grove Press, March 2020
ISBN 978-09997932-7-5
Trade Paperback

Marla Vail is visiting Tremayne Manor to do her hairstyling thing for Blinky Morris so she’ll be ready for the Easter egg hunt but, after the hunt when Marla is helping to look for unfound eggs, she finds something else, a dead body dressed as a bunny. When it’s discovered that Blinky is missing, the very pregnant Marla jumps right in to investigate,  as fans will expect. Her poor husband, homicide detective Dalton, is right by her side, knowing full well he can’t stop her.

Marla is a character that becomes more appealing with each adventure, largely because she’s an intelligent woman who takes things in stride and doesn’t continually do stupid things. Dalton is her equal and recognizes how good she is at sussing out the facts and following leads; he long ago gave up trying to keep her out of investigations and the pair make a good team. This time, they’re dealing with a plethora of clues and suspects and the twists and turns abound. I’ve followed this series from the beginning and I’m already anticipating the next book because Ms. Cohen never lets me down 🙂

Reviewed by Lelia Taylor, April 2020.

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Hid from Our Eyes
A Clare Fergusson/Russ Van Alstyne Mystery #9
Julia Spencer-Fleming
Minotaur Books, April 2020
ISBN 978-0-312-60685-5
Hardcover

It seems like years since the last Clare and Russ story because, well, it has been and when I first heard about this one, I was SO excited. I’m not the least bit surprised that Ms. Spencer-Fleming is still at the top of her game.

Three different but very similar cases over a period of many decades have involved three police chiefs but Russ, the current chief, was once accused of the second killing. As this third case ramps up, Russ is under enormous pressure to find the killer before suspicion focuses on him again. Are the three cases really connected in some way or could there be a copycat killer? Who were these young women and why were they targeted or is it possible one or more were, in fact, not murdered?

Russ’s wife, an Episcopal priest and mother of a new baby, has her own issues going on but of course she’s going to help Russ and she brings a lot of intelligence and creative thinking to this case, as she always does. The personal lives of Clare and Russ are given as much weight as the investigation, enough so that I felt like I was seeing old friends again but that didn’t take anything away from the mystery of these three deaths. Leads take them in all directions and I was forced—forced, I tell you!—to stay up late into the night to keep reading. An intriguing plot and great characters make for a story I can heartily recommend but readers new to the series will enjoy it more by starting with the first one.

Reviewed by Lelia Taylor, April 2020.

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The Vanishing Man
A Charles Lenox Mystery #12
Charles Finch
Minotaur Books, January 2020
ISBN 978-1-250-31137-5
Trade Paperback

In this second prequel, Charles Lenox has recently become known as the young man who bested Scotland Yard in a perplexing case and he’s called upon by the Duke of Dorset to help with an art theft. It seems a second painting was left behind and the Duke is concerned the thieves will return and, if they do, it’s possible a family scandal will be revealed as well as an enormous secret involving a priceless artifact. It isn’t long before there are other crimes and Lenox must delve into long-kept secrets that threaten the family as well as himself.

Fortunately, Lenox has the assistance of his friend, Lady Jane, who once again proves herself to be an intelligent ally, and a coterie of secondary players who bring real depth to the story. This particular adventure drags a little here and there but it’s still an engaging puzzle, especially the question of why the more valuable painting really means so much to the Duke. Mr. Finch brings Victorian London and its people to life again and I really do think this is one of the very best series with the setting and time period.

Reviewed by Lelia Taylor, April 2020.

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Ten Days Gone
An A.L. McKittridge Novel #1
Beverly Long
MIRA, February 2020
ISBN 978-0-7783-0958-1
Mass Market Paperback

Hunting a serial killer is no doubt one of the most difficult things a police department may ever have to do but, this time, detectives Rena Morgan and A.L. McKittridge are also faced with the nearly impossible task of preventing a fifth murder once the likely victim has been identified. Tess Lyons already suffers psychological damage from previous events and is anything but ready to understand her present danger. Meanwhile, leads in the case are sketchy at best and the detectives are caught up in a cat and mouse game with few obvious answers until they find a petition signed by all four of the murdered women. Figuring out why the petition and the ten day intervals are important may be their best chance to stop this killer.

A.L. and Rena are a well-matched partnership, each with their own strengths and weaknesses, and they complement each other in their search for a wily killer. The pacing is a little slow but Ten Days Gone shows promise and is the first in what I hope will be a long-running series.

Reviewed by Lelia Taylor, April 2020.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghost of the Bamboo Road
A Hiro Hattori Novel #7
A Shinobi Mystery
Susan Spann
Seventh Street Books, November 2019
ISBN 978-1-6338-8550-9
Trade Paperback

Even in 16th-century Japan, a list of agents, in this case the shinobi agents of Hiro Hattori’s own clan, can cause deadly problems if it falls into the wrong hands. Hiri needs to warn his clan that a rival warlord is in possession of the list so he travels to a small village where he believes a fellow agent to be on a mission. Accompanied by Father Mateo, the Portuguese Jesuit he protects, along with their housekeeper, Ana, and Hiro’s cat, Gato, he sees that the agent is missing. Hiro and Father Mateo are then drawn in to the investigation of multiple murders that are believed to have been caused by a ghost in the eerily half-deserted village but the situation becomes even more pressing when Ana is accused of stealing from the inn’s proprietor. And where is the missing agent?

Ms. Spann never fails to entertain me and educate me as well since her stories are full of medieval Japanese history. I love the primary characters and their interactions with each other; for instance, Gato always manages to get in the thick of things but Father Mateo can only suffer around him, being highly allergic. The two men have grown to be quite fond of each other (not that they would say so) and the priest accepts the shinobi’s protection as gracefully as he can manage while Ana is irascible and, yet, attentive. The author has a way with words and conveys the times and the setting vividly, so much so that I can practically smell the tea served in the teahouse. My only regret after reading this entry is for the too-long wait for the next book.

Reviewed by Lelia Taylor, April 2020.

Book Reviews: The One That Got Away by Joe Clifford and Murderabilia by Carl Vondereau @joeclifford23 @DownAndOutBooks @CarlVonderau @midnightinkbook

The One That Got Away
Joe Clifford
Down & Out Books, December 2018
ISBN: 978-1-948235-42-6
Trade Paperback

An upstate small town where almost everyone has at least one scurrilous or dangerous secret, is the fall setting for this story. Alex Salerno is the flawed, inept and persistent hero of this long and winding tale.

A decade ago she was one of several girls in the town, located in upstate New York, who was abducted and held for unnamed assaultive practices in a dark space. Waiting there, she knew the other girls had been killed. And then, a small miracle, she is rescued by the local detective who becomes her lover. Her abductor now resides in prison.

The experience, naturally, has permanently damaged Alex’s psyche and her life in New York State, at least as she relates it, is fraught, unrooted and filled with booze, drugs and impermanence. For uncertain reasons she has now returned to her home town to meet a reporter who may or may not be preparing a story for the local paper on the history of that time when so many young women and girls had been abducted and murdered.

She knew her abductor was in jail and the reporter was focusing on the later disappearance of another teenager named Kira Shanks. The rambling torturous plot is further obscured by the belief in some corners of this conflicted community that the man now held in a nearby mental institution was not responsible for Kira Shanks disappearance.

As the plot slowly unwinds and layer after layer of a depressing community are revealed, against her better judgement and with menace ever closer, Alex Salerno persists in sticking her nose in unwanted sometimes dangerous places. She is physically and mentally abused and even her tenuous family ties in the town are stressed. The narrative blends the viewpoints of several characters and at times readers may be confused as to who is speaking. Ultimately some of the mysteries and secrets of this town are resolved but one is left wondering about the future life of Alex Salerno.

Reviewed by Carl Brookins, January 2020.
http://www.carlbrookins.com http://agora2.blogspot.com
The Case of the Purloined Painting, The Case of the Great Train Robbery, Reunion, Red Sky.

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Murderabilia
Carl Vonderau
Midnight Ink Books, July 2019
ISBN 978-007387-6130-5
Trade Paperback

A dark, intense story of murder and family destruction, this novel, after a slow start, will engage readers in a way that will leave them in thoughtful contemplation of family relationships.

Will McNary has a successful career as a private banker who works with individual clients on their financial investments and other monetary activities. He’s married with two young children and living in San Diego. His life is generally calm and ordinary, although he’s feeling a little heat in the form of competition from other officers of the bank. His sister Polly and their aging mother share an unsettling secret.

When Will was a child of only eight, his father was sent to prison for murdering and butchering several women. He compounded his heinous crime by posing and photographing the women, pictures that were circulated and sold on the underground market. McNary’s father was convicted and when the novel opens, has been in prison for more than thirty years. Now, a copy-cat killer linked to Will’s father has emerged, one who appears to be targeting Will and his family.

The story follows Will along a sordid twisting trail as he attempts to protect his loved ones, help law enforcement find the vicious copy-cat, and plumb the emotional depths of the knowledge that he is the son of an incredibly twisted killer.

The novel is well-written and once moving along its trail, enthralling. I hesitate to call it a page turner, however, for those readers attracted to the truly dark side of humanity in several of its manifestations, this carefully crafted story is insistently engaging.

Reviewed by Carl Brookins, January 2020.
http://www.carlbrookins.com http://agora2.blogspot.com
The Case of the Purloined Painting, The Case of the Great Train Robbery, Reunion, Red Sky.

Book Review: A Stone’s Throw by James W. Ziskin

A Stone’s Throw
An Ellie Stone Mystery #6
James W. Ziskin
Seventh Street Books, June  2018
ISBN 978-1-63388-419-9
Trade Paperback

A Stone’s Throw strikes me, for some reason, as more indicative of the 1940s or 50s than of the 60s. Lordy, Lordy, didn’t people just smoke, then? Or at least the characters in this book do. But that’s only a small, amusing detail in a book with a heroine as downright cool as Ellie Stone.

A Jewish “girl reporter” –yes, I’m reminded of Lois Lane–who is determined to make it in a man’s world, Ellie is Johnny-on-the-spot when a fire destroys a rundown barn on an abandoned property. The property used to be the center of a horsebreeding operation, until a long ago fire put an end to it. Owned by the wealthy, and politically important Shaw family, the barn is deemed to be no particular loss until Ellie walks through and discovers two bodies, both burned beyond recognition, in the ashes. Who are they? Ellie is determined to find out.

Even then the sheriff isn’t terribly concerned, and it isn’t until Ellie starts investigating that secrets are revealed which will involve many in the horse racing community of Saratoga Springs, New York. Owners, trainers, jockeys, and bookmakers all have something to hide, and it will take Ellie and a cadre of quirky friends to discover the truth.

The writing is good, the dialogue snappy, the setting appropriate. Most of all, the subject of horse racing, which is dear to my heart, a hoot to visit. I’m worried about Ellie, though. Her lovelife is a bust and I’m afraid she may have a drinking problem, although a full bottle of Dewars proves a godsend. A fun read.

Reviewed by Carol Crigger, August 2018.
Author of Three Seconds to Thunder, Four Furlongs and Hometown Homicide.

Book Review: Heart of Stone by James W. Ziskin

Heart of Stone
An Ellie Stone Mystery #4
James W. Ziskin
Seventh Street Books, June 2016
ISBN: 978-1-63388-183-9
Trade Paperback

Ellie Stone is in the Adirondacks visiting her aunt for the month of August. She is lounging on the dock while her aunt swims (nude) when the sheriff comes  and after hassling her aunt for nude swimming asks Ellie to come with him to photograph a death scene. He needs her to do this because Ellie has an expensive camera and the sheriff has no camera at all. She goes. There is a high cliff that dare devils use to dive from into the lake below. It is not the wisest sport as there is rocky ledge that juts out which divers have to miss. From the looks of things, these two did not miss the shale shelf. Ellie notices some oddities at the scene such as the way the two are dressed and the station wagon parked so close to the edge of the cliff. When the state police become involved they find even more odd things. While one of the victims is a stranger to the area, the other is a young man staying at the music camp. It seems more than a little odd that these two would be stunt diving together.

Ellie is in a good position to investigate which as a newspaper reporter she is inclined to do. Ellie has spent time in the area most of her life and knows many of the people who are staying at the nearby arts camp. She also has an uncanny ability to snoop out the truth.

This is the fourth Ellie Stone book and I have mixed feelings about it. On one hand I like the mystery presented in Heart of Stone a great deal. I also enjoyed Ellie on vacation, away from her job. On the other hand, the author has a tendency to be overly wordy. In the previous books, I found that this added to the atmosphere of the book. It gave the books a feel of more substance. It seemed to me that  in this book he ramped up the wordage even more. More than once I wanted to shout, “just get on with it!”  The overuse of language was just annoying.

In spite of the language, it is still Ellie Stone who is a most likable protagonist. I would recommend the book and hope that Ziskin can curb the need to use more words when fewer will suffice.

Reviewed by guest reviewer Caryn St. Clair, March 2018.

Book Review: How Will I Know You? by Jessica Treadway

How Will I Know You?
Jessica Treadway
Grand Central Publishing, August 2017
ISBN: 978-1-4555-5409-6
Trade Paperback

From the publisher:  On a December day in upstate New York, the body of high school senior Joy Enright is found in the woods at the edge of a frozen pond.  An autopsy reveals that her death was not simply a tragic accident – – the teenager’s body shows unmistakable signs of murder.  The discovery upends an otherwise quiet small town.  As the investigation unfolds, four characters tell the story from widely divergent perspectives: Susanne, Joy’s mother, tries to reconcile past betrayals with their painful consequences; Martin, a black artist, faces ostracism when blame is cast on him; Tom, a rescue diver, doubts both the police and his own perceptions; and the hopelessly awkward Harper, Joy’s best friend, tries to figure out why Joy disappeared from Harper’s life months before she actually went missing.  As a web of deceit comes to light in a tiny community where there are few secrets, How Will I Know You? explores how easily boundaries can be breached and how seemingly small choices can escalate – – with fatal consequences.

In fascinating manner, the book’s sections are separated into “Before;” “After;” quite near the end of the novel “During;” and, about a dozen pages before the final page, “After – – The Last,” June 9, 2014.  “Before” (initially May 14, 2009, then jumping to September 7th, then to October 22nd and then the 31st) and “After,” initially December 7th, quite obviously, refer to the time periods before and after Joy’s murder, on the 1st Sunday of December; “During” describing, in manner to keep the reader glued to the pages, the murder itself.  The reader doesn’t discover the significance of the book’s title until nearly one-third of the way through the book:  It was apparently Suzanne’s question of her husband, Gil, before their first date.

Early on, in the pages after December 7th, and then again in the earlier time frames of May 14, 2009 and, later, October 22nd and 31st and later still, in the “After” pages, the tale is related for long stretches in first person by Martin Willett, the black man initially arrested in the case   (At one point during these pages, in mid-November, he muses “. . . now that I’ve come to the end of it, I’m no closer to understanding what might have happened than I was when I began.”  Abut mid-way into the novel, p.o.v. is that of Tom, son-in-law of the [interim] police chief, Doug, thought of by many as “Tom Carbone, the dumb jock, married to [Alison,] a teacher,” and the kindest way in which Doug thought of him.  And towards the very end, in the “During” section, p.o.v. is that of Joy, most interestingly.

The characters presented in these pages are each very well-drawn, regardless of their generation or race.  I found Martin most fascinating, as well as his art:  I had never before even been aware of “hyperreal art” or the work of “high realists.”  The pages seemed to fly by, until one has reached the end and realize how perfectly the author has brought the suspenseful tale to its conclusion.  The novel is, obviously, recommended.

Reviewed by Gloria Feit, September 2017.