Harper, February 2012
Mass Market Paperback
There have now been several Harry Hole novels, but this was only the second to be published in the United States (the first was The Redbreast). Both demonstrate the author’s uncanny ability to continually lead the reader astray with one red herring after another before disclosing, in a final twist, a most unexpected dénouement.
In the present novel, these principles apply to two separate story lines. One involves a bank robbery in which a woman is shot in the head. The other finds a woman with whom Harry had a short affair shot in her bed the day after Harry had dinner at her home (but he can’t remember a thing about the evening). In fact, there are clues implicating him in the deed and in fact, the cover asks the question: “How do you catch a killer when you’re the number one suspect?”
The translation by Don Bartlett from the Norwegian flows smoothly. The novel was a number one best-seller in Norway, spending 39 weeks on the best seller list. Past novels from this author saw Bangkok and Australia as settings, and the next to Hong Kong – Harry certainly gets around!
Reviewed by Ted Feit, February 2012.
Max Allan Collins
Hard Case Crime, 2011
Max Allan Collins writes noir crime novels which read very much like Mickey Spillane, with whom he was a close friend and collaborator [and completed some started by the late author]. This novel is no exception, and is full of sex, violence and hard-boiled prose. It is a prequel to a long-running series about a hit man who has turned the tables on other assassins by developing a new business: collecting his fees from intended victims by eliminating killers and those who hired them.
This novel takes us back in time, providing the back story for the Quarry series, when he was a young marine, met Joni and married her, returned from Vietnam to find her in bed with another man (who he murders) and then going off the deep end. After a while, he is contacted by the “broker,” and becomes a paid assassin, until he kills his “employer” in a double-cross and stealing his files which identify other murderers. With this information, Quarry turns the tables, targeting them for elimination and saving the intended victims.
This brings us to the present story during which, purely by accident, Quarry finds his ex-wife married to a movie director, the latter the target of a pair of killers Quarry knows from the files. The ex is really incidental to the story, which revolves around Quarry’s efforts to save the director’s life and identifying who retained the killers. It is fast and furious, with colorful characters, entertaining with panache, and is recommended.
Reviewed by Ted Feit, February 2012.
Early in his career, John Grisham wrote novels that whacked a home run every time. But even Babe Ruth couldn’t do that every time. This book is workman-like, perhaps a double. But then, if you can do even this often enough, you’re an All Star. And John Grisham certainly is that.
The story is extremely contrived, with sort of caricatures for characters. It might have been more fun if they were less predictable and more cartoonish, if that’s possible. Attorney David Zinc belongs more in a soap opera than a legal novel. His two partners, Finley & Figg, are even more unbelievable, other characters even more wooden.
But all this criticism doesn’t negate the fact that Grisham can still write an entertaining novel, albeit somewhat stilted and predictable. About the only interesting character in the book is a 90-year-old Federal judge, presiding over a comical case. So, despite all this negativism, the novel is recommended with caveats.
Reviewed by Ted Feit, April 2012.
Delacorte Press, January 2012
Is this novel a courtroom drama, a psychological study of a family, an introspective study of a man, or is it about truth and justice? Or all of the above? It’s hard to tell in this rambling book which attempts to keep the reader in suspense and leaves much to the imagination.
Andy Barber, the First Assistant DA in Newton, MA, is the man who faces the questions posed by the story and really doesn’t come to grips with the essential problems raised. His 14-year-old son is accused of murdering a fellow student and goes to trial for Murder One. Did he or didn’t he? Andy, who initially ran the original investigation, does not believe his son is capable of doing the deed. The effect of the pressures of the trial on Andy and his wife are weakly described. The courtroom drama is, to some extent, extremely well done, but, for the most part, drawn out to a great degree. And the snideness of the comments about Andy’s replacement when he’s taken off the case and during the trial are too often petty.
On the whole, the novel is an interesting presentation, but could have been edited severely, especially the front end which drags on slowly until the book picks up steam toward the middle. It is no spoiler to note that there is more than one surprise waiting for the reader at the end, some attention-grabbing, others a little far-fetched. That said, it is an off-beat novel that is recommended.
Reviewed by Ted Feit, June 2012.
The Lost Years
Mary Higgins Clark
Simon & Schuster, April 2012
A good idea wrapped in a lot of superfluous schmaltz sums up this latest effort by Mary Higgins Clark. The plot involves the discovery by a Biblical scholar, Dr. Jonathan Lyons, of the only letter supposedly ever written by Jesus, and Lyons’ subsequent murder, presumably as a result. The mystery, of course, is which of his various friends and co-workers wants the manuscript to sell on the black market instead of it being returned to the Vatican library from which it was removed in the 1400’s.
Instead of a straight police procedural, the story becomes bogged down in several side issues: Dr. Lyons’ daughter’s guilt over her alienation from her father over the issue of his mistress and her own “love life;” a couple of characters, Alvirah and Willy, who outwit the police and the perpetrator; and Lyons’ wife’s dementia, among other things.
The author can still write smoothly, but the novel smacks of a manufactured outline, rather than a carefully developed plot, with each step carefully constructed to fit. It is unfortunate because the idea for the story is excellent, and if the characters were more deeply drawn, and the irrelevancies omitted, the novel could have been more intriguing.
Reviewed by Ted Feit, August 2012.