Book Reviews: Last Call by Elon Green and Thirteen Chairs by Dave Shelton @elongreen @CeladonBooks @DaveShelton @DFB_storyhouse

Last Call
A True Story of Love, Lust and Murder in Queer New York
Elon Green
Celadon Books, March 2021
ISBN 978-1-250-22435-4
Hardcover

The world was not warm or welcoming for gay men in the 1980s. Discrimination, bias and inexplicable hate made for an uncomfortable existence, at best. Not only was homosexuality grossly misunderstood; but AIDS was becoming a familiar fear for everyone.

Repercussions could be very real for any openly-gay man. Life turned from unpleasant to terrifying with the discovery of a dismembered male body. And later, another grisly, heart-wrenching find. More would follow.

Law enforcement was not convinced that the scarily-similar manner of disposal connected the crimes. Faint lines leading to New York City piano bars— where gay men felt somewhat safe—seemed more than a stretch.  Prejudices towards the victims’ “life-styles” and the lack of a crime scene, coupled with “dump sites” in different jurisdictions, meant that these crimes were not priorities.

Family members, friends, Lesbian and Gay Advocate Groups would not allow these deaths to be ignored, though. Patrons, pianists, and bartenders all mentioned one man, in particular. The suspect was a nurse at a NYC hospital, but no one knew more than that.

In the same way that stellar wait-staff are inconspicuous when their service is spot-on, Mr. Green simply sets everything up, almost allowing each man to tell his own story.

This review was written by jv poore for Buried Under Books, with a huge “Thank You!” to Celadon Books for the Advance Review Copy, which I will donate to my favorite high-school classroom library.

Reviewed by jv poore, February 2021.

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Thirteen Chairs
Dave Shelton
David Fickling Books, September 2015
ISBN 978-1-910-20044-5
Trade Paperback

Inside of a dilapidated, abandoned home— that is most assuredly haunted, per the neighborhood children—one room appears to be in use. A long table is set with flickering candles, casting strange rays on the oddly assembled group gathered around.

Jack had heard the wicked rumors; but standing outside and seeing a soft light within, his curiosity has passed piqued. Compelled, he enters the house and follows the glow. He is welcomed to the table, where there is, uncannily, one empty chair.

Each person has a story to share and every one of the scary shorts could stand alone. Some of the narrators appear to know one another quite well, while others seem less comfortable with the eclectic individuals sharing their space. Jack is clearly the freshest face to the table, and perhaps, he has the most to fear.

Reviewed by jv poore, July 2019.

Book Review: On the Hunt for the Haunted by Robin Strom @LlewellynBooks

On the Hunt for the Haunted
Robin Strom
Llewellyn Publications, April 2019
ISBN 978-0-7387-5841-1
Trade Paperback

On the Hunt for the Haunted is a non-fiction narrative highlighting processes and tools often employed in meta-physical investigations. Written by part-time paranormal researcher, founder and director of the Delaware Paranormal Research Group, it features odd experiences of a few (self-professed) normal people; along with the findings of Ms. Strom and her team.

It is difficult to doubt the author’s sincerity in simply seeking answers. To satisfy her own curiosity, certainly, but also for the opportunity to assist people with potential paranormal problems. She happily shares findings of concrete reasons for seemingly inexplicable reactions.

A particular room that adversely affects everyone who enters, must be haunted. Headaches, feelings of fatigue and general sickness are commonly reported. But the investigation team’s equipment identified a breaker box giving off extremely high electromagnetic fields, creating very the real symptoms.

On the eerie side, however; recording equipment captures voices and statements that are not so easily explained. Ms. Strom’s personal-use dowsing rods exhibit sporadic, unique and somewhat wild, behavior. Everyday folks relaying their unusual episodes in an almost-embarrassed way is as sweet as it is scary.

I truly enjoyed this neat little book’s intriguing stories as I learned the categories of equipment and how everything works together.

Reviewed by jv poore, August 2020.

Book Review: The Deep by Alma Katsu @almakatsu @TransworldBooks @The_FFBC

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Title: The Deep
Author: Alma Katsu
Publisher: Transworld Digital
Publication date: March 10, 2020
Genres: Mystery, Dark Fantasy, Thriller

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Purchase Links:
Barnes & Noble // Kobo // iBooks // Google Play
Amazon // Book Depository // Indiebound

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The Deep
Alma Katsu
Transworld Digital, March 2020
ISBN 978-0-525-53790-8
Hardcover

From the publisher—

Someone, or something, is haunting the Titanic.

This is the only way to explain the series of misfortunes that have plagued the passengers of the ship from the moment they set sail: mysterious disappearances, sudden deaths. Now suspended in an eerie, unsettling twilight zone during the four days of the liner’s illustrious maiden voyage, a number of the passengers – including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher – are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.

Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic’s sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not – could not – have survived the sinking of the Titanic . . .

Not too long ago, I listened to the audiobook of Alma Katsu’s The Hunger and, truthfully, I was mesmerized by the ominous atmosphere she created. That ambience comes largely from my knowing ahead of time what really happened with the Donner Party, the ineffable tragedy of it all, and the promise of The Deep was that it would give me much of the same feeling. I didn’t do audio on this one but visually reading it didn’t lessen the effect.

Was the Titanic imbued with a supernatural touch as the author suggests? Maybe, maybe not, but there is no doubt that the ship’s story is full of ghosts and belief in the occult was popular among the wealthy at the time so Ms. Katsu taking it a bit farther is not really out of line, is it? Even with a sizeable passenger list and crew, there do seem to be an inordinate number of deaths and peculiar events that the people on the voyage can’t truly explain in “normal” terms and then, of course, there is that awful night.

When stewardess Annie finds herself, four years later working as a World War I nurse on board the Titanic’s sister ship, the Britannic, perhaps it’s not surprising that she would come across a wounded soldier who was also on the Titanic’s fateful voyage. Annie carries her own demons with her, though, so possibly her memories are tricking her into thinking that Mark can’t be there because he could not have survived the sinking. Then again…

Ms. Katsu’s real strength lies in her storytelling and on her ability to bring people and historic events to life. The Deep is a compelling tale that could, if you believe just a little, be truth and, might I add, it’s immeasurably enhanced by including a real woman, Violet Jessop, who has to be one of the luckiest seafaring women ever. Well done, Ms. Katsu!

Reviewed by Lelia Taylor, March 2020.

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An Excerpt from The Deep

Chapter One

October 1916
Morninggate Asylum,
Liverpool

She is not mad.

Annie Hebbley pokes her needle into the coarse gray linen, a soft color, like the feathers of the doves that entrap themselves in the chimneys here, fluttering and crying out, sometimes battering themselves to death in a vain effort to escape.

She is not mad.

Annie’s eyes follow the needle as it runs the length of the hem, weaving in and out of fabric. In and out. In and out. Sharp and shining and so precise.

But there is something in her that is hospitable to madness.

Annie has come to understand the erratic ways of the insane-the crying fits, incoherent babblings, violent flinging of hands and feet. There is, after days and weeks and years, a kind of comforting rhythm to them. But, no, she is not one of them. Of that she is certain.

Certain as the Lord and the Blessed Virgin, her da’ might once have said.

There are a dozen female patients hunched over their sewing, making the room warm and stuffy despite the meagerness of the fire. Work is thought to be palliative to nervous disorders, so many of the inmates are given jobs, particularly those who are here due more to their own poverty than any ailment of mind or body. While most of the indigent are kept in workhouses, Annie has learned, quite a few find their way to asylums instead, if there are any empty beds to keep them. Not to mention the women of sin.

Whatever their reasons for turning up at Morninggate, most of the women here are meek enough and bend themselves to the nurses’ direction. But there are a few of whom Annie is truly afraid.

She pulls in tight to herself as she works, not wanting to brush up against them, unable to shake the suspicion that madness might pass from person to person like a disease. That it festers the way a fine mold grows inside a milk bottle left too long in the sun-undetectable at first but soon sour and corrupting, until all the milk is spoiled.

Annie sits on a hard little stool in the needle room with her morning’s labor puddled in her lap, but it is the letter tucked inside her pocket that brushes up against her thoughts unwillingly, a glowing ember burning through the linen of her dress. Annie recognized the handwriting before she even saw the name on the envelope. She has reread it now at least a dozen times. In the dark cover of night, when no one is looking, she kisses it like a crucifix.

As if drawn to the sin of Annie’s thoughts, a nurse materializes at her shoulder. Annie wonders how long she has been standing there, studying Annie. This one is new. She doesn’t know Annie yet-not well, anyway. They leave Annie to the late arrivals on staff, who haven’t yet learned to be frightened of her.

“Anne, dear, Dr. Davenport would like to see you. I’m to escort you to his office.”

Annie rises from her stool. None of the other women glance up from their sewing. The nurses never turn their backs to the patients of Morninggate, so Annie shuffles down the corridor, the nurse’s presence like a hot poker at her back. If Annie could get a moment alone, she would get rid of the letter. Stash it behind the drapes, tuck it under the carpet runner. She mustn’t let the doctor find it. Just thinking of it again sends a tingle of shame through her body.

But she is never alone at Morninggate.

In the dusty reflection of the hall windows they appear like two ghosts-Annie in her pale, dove-gray uniform, the nurse in her long cream skirt, apron, and wimple. Past a long series of closed doors, locked rooms, in which the afflicted mutter and wail.

What do they scream about? What torments them so? For some, it was gin. Others were sent here by husbands, fathers, even brothers who don’t like the way their women think, don’t like that they are outspoken. But Annie shies away from learning the stories of the truly mad. There’s undoubtedly tragedy there, and Annie’s life has had enough sadness.

The building itself is large and rambling, constructed in several stages from an old East India Company warehouse that shuttered in the 1840s. In the outdoor courtyard, where the women do their exercises in the mornings, the walls are streaked with sweat and spittle, smeared with dirty handprints and smudges of dried blood. Luckily the gaslights are kept low, for economy’s sake, giving the grime a pleasantly warm hue.

They pass the men’s wing; sometimes, Annie can hear their voices through the wall, but today they’re quiet. The men and women are kept separate because some of the women suffer from a peculiar nervous disorder that makes their blood run hot. These women cannot abide the sight of a man, will break out in tremors, try to tear off their clothes, will chew through their own tongues and fall down convulsing.

Or so they say. Annie has never seen it happen. They like to tell stories about the patients, particularly the female ones.

But Annie is safe here, from the great big world. The world of men. And that is what matters. The small rooms, the narrow confines are not so different from the old cottage in Ballintoy, four tiny rooms, the roiling Irish Sea not twenty paces from her front door. Here, the air in the courtyard is ripe with the smell of ocean, too, though if it is close by, Annie cannot see it, has not seen it in four years.

It is both a comfort and a curse. Some days, she wakes from nightmares of black water rushing into her open mouth, freezing her lungs to stone. The ocean is deep and unforgiving. Families in Ballintoy have lost fathers and brothers, sisters and daughters to the sea for as long as she can remember. She’s seen the water of the Atlantic Ocean choked with hundreds of bodies. More bodies than are buried in all of Ballintoy’s graveyard.

And yet on other days, she wakes to find plaster beneath her fingernails where she has scratched at the walls, desperate to get out, to return to it. Her blood surges through her veins with the motion of the sea. She craves it.

On the far side of the courtyard they enter the small vestibule that leads to the doctors’ private rooms. The nurse indicates that Annie should step aside as she knocks and then, at a command to enter, unlocks the door to Dr. Davenport’s office. He rises from behind his desk and gestures to a chair.

Nigel Davenport is a young man. Annie likes him, has always felt he has the well-being of his patients in mind. She’s overheard the nurses talk about how difficult it is for the parish to get doctors to remain at the asylum. Their job is discouraging when so few patients respond to treatment. Plus, it’s far more lucrative to be a family doctor, setting bones and delivering babies. He is always nice to her, if formal. Whenever he sees her, he thinks about the incident with the dove. They all do. How she was found once cradling a dead bird in her arms, cooing to it like a baby.

She knows it wasn’t a baby. It was just a bird. It had fallen out of the flue, hit the hearth in a puff of loose feathers. Dirty, sooty bird, and yet beautiful in its way. She only wanted to hold it. To have something of her own to hold.

He folds his hands and rests them on the desktop. She stares at his long fingers, the way they fold into one another. She wonders if they are strong hands. It is not the first time she has wondered this. “I heard you received another letter yesterday.”

Her heart trembles inside her chest.

“It is against our policy to intrude too much on our patients’ privacy, Annie. We don’t read patients’ mail, as they do at other homes. We are not like that here.” His smile is kind, but there is a slight furrow between his brows and Annie has the strangest urge to press her finger there, to smooth the soft flesh. But of course she would never. Voluntary touching is not allowed. “Here, you may show us only of your own free will. But you can see how these letters would be a matter of concern for us, don’t you?”

His voice is gentle, encouraging, almost a physical caress in the stillness. Bait. She remains silent, as if to speak would be to touch him back. Perhaps if she doesn’t respond, he will stop pressing. Perhaps she will vanish into air if she is quiet enough. She used to play this game all the time in the vast fields and cliffsides of Ballintoy-the recollection returns with startling clarity: the Vanishing Game. Generally, it worked. She could go whole days drifting in the meadow behind the house, imagining stories, without ever being seen or spoken to. A living phantom.

The doctor stretches his neck against his high collar. He has a good, solid neck. Hands, too. He could easily overpower her. That is probably the point of such strength. “Perhaps you would like to show it to me, Annie? For your own peace of mind? It’s not good to have secrets-secrets weigh on you, hold you down.”

She shivers. She longs to share it and burns to hide it. “It’s from a friend.”

“The friend who used to work with you aboard the passenger ship?” He pauses. “Violet, wasn’t it?”

She starts to panic. “She’s working on another ship now. She says they are in dire need of help and she wonders if I would return to service.” There. It’s out.

His dark eyes study her. She cannot resist the weight of his expectation. She has never been good at saying no; all she has ever wanted was to please people, her father, her mother. To please all of them. To be good.

Like she once was.

My good Annie, the Lord favors good girls, said her da’.

She reaches into her pocket and hands him the letter. She can hardly stand to watch him read, feeling as though it is not the letter but her own body that has been exposed.

Then he glances up at her, and slowly his mouth forms a smile.

“Don’t you see, Annie?”

She knots her hands together in her lap. “See?” She knows what he’s going to say next.

“You know that you’re not really sick, not like the others, don’t you?” He says these words kindly, as though he is trying to spare her feelings. As though she doesn’t already know it. “We debated the morality of keeping you here, but we were reluctant to discharge you because- Well, frankly, we didn’t know what to do with you.”

Annie had no recollection of her own past when she was admitted to Morninggate Asylum. She woke up in one of the narrow beds, her arms and legs bruised, not to mention the awful, aching wound on her head. A constable had found her unconscious behind a public house. She didn’t appear to be a prostitute-she was neither dressed for it nor stinking of gin.

But no one knew who she was. At the time, Annie scarcely knew herself. She couldn’t even tell them her name. The physician had no choice but to sign the court order to detain her at the asylum.

Her memory has, over time, begun to return. Not all of it, though; when she tries to recall certain things, all she gets is a blur. The night the great ship went down is, of course, cut into her memory with the prismatic perfection of solid ice. It’s what came before that feels unreal. She remembers the two men, each in their turn, though sometimes she feels as though they have braided together in her mind into just one man, or all men. And then, before that: fragments of green fields and endless sermons, intoned prayer and howling northern wind. A world too unfathomably big to comprehend.

A terrible, gaping loneliness that has been her only companion for four years.

Surely it is better to be kept safe inside this place, while the world and its secrets, its wars, its false promises, are kept away, outside the thick brick walls.

Dr. Davenport looks at her with that same wavering smile. “Don’t you think, Annie?” he is saying.

“Think what?”

“It would be wrong to keep you here, with the war on. Taking up a bed that could be used for someone who is truly unwell. There are soldiers suffering from shell shock. Everton Alley teems with poor and broken spirits, tormented by demons from their time on the battlefield.” His eyes are dark and very steady. They linger on hers. “You must write to the White Star office and ask for your old job, as your friend suggests. It’s the right thing to do under the circumstances.”

She is stunned, not by his assertions but that this is all happening so quickly. She is having trouble keeping up with his words. A slow dread creeps into her chest.

“You’re fine, my dear. You’re just scared. It’s understandable-but you’ll be right as rain once you see your friend and start working again. It’s about time, anyway, don’t you think?”

She can’t help but feel stubbornly rejected, spurned, almost. For four years, she’s managed things so that she could stay. Kept her secrets. Was careful not to disrupt anything, not to do anything wrong.

She has been so good.

Now her life, her home, the only security she knows, is being ripped away from her and she is once more being forced out into the unknown.

But there is no turning back. She knows she cannot refuse him this, cannot refuse him anything. Not when he has been so kind.

He folds up the letter and holds it out to her. Her gaze lingers on his strong hands. Her fingers brush against his when she takes it back. Forbidden.

“I should be happy to sign the release papers,” her doctor says. “Congratulations, Miss Hebbley, on your return to the world.”

3 October 1916

My dear Annie,

I hope this letter finds you. Yes, I am writing again even though I have not heard from you since the letter you sent via the White Star Line head office. You can understand why I continue to write. I pray your condition has not worsened. I was sorry to read of your current situation, although, from your letter, you do not sound unwell to me. Can you ever forgive me for losing track of you after that Terrible Night? I didn’t know if you had lived or died. I feared I would never see you again.

Excerpted from The Deep by Alma Katsu. Copyright © 2020 by Alma Katsu. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Original link: https://www.penguinrandomhouse.com/books/586714/the-deep-by-alma-katsu/

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About the Author

Alma Katsu is the author of The Hunger, a reimagining of the story of the Donner Party with a horror twist. The Hunger made NPR’s list of the 100 Best Horror Stories, was named one of the best novels of 2018 by the Observer, Barnes & Noble, Powell’s Books (and more), and was nominated for a Stoker and Locus Award for best horror novel.

The Taker, her debut novel, has been compared to the early works of Anne Rice and Diana Gabaldon’s Outlander for combining historical, the supernatural, and fantasy into one story. The Taker was named a Top Ten Debut Novel of 2011 by Booklist, was nominated for a Goodreads Readers Choice award, and has been published in over 10 languages. It is the first in an award-winning trilogy that includes The Reckoning and The Descent.

Ms. Katsu lives outside of Washington DC with her husband, musician Bruce Katsu. In addition to her novels, she has been a signature reviewer for Publishers Weekly, and a contributor to the Huffington Post. She is a graduate of the Johns Hopkins Writing Program and Brandeis University, where she studied with novelist John Irving. She also is an alumni of the Squaw Valley Community of Writers.

Prior to publication of her first novel, Ms. Katsu had a long career in intelligence, working for several US agencies and a think tank. She currently is a consultant on emerging technologies. Additional information can be found on Wikipedia and in this interview with Ozy.com.

Author Links:

Website // Twitter // Facebook // Goodreads // Instagram // Pinterest

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Book Review: Echoes Between Us by Katy McGarry @KatieMcGarry @torteen

Echoes Between Us
Katie McGarry
Tor Teen, January 2020
ISBN 978-1-250-19604-0
Hardcover

Veronica is seventeen, and has a benign brain tumor. Her mother died two years ago of a brain tumor, and Veronica worries that hers is getting worse, and that she is facing a long painful death like her mother. She lives with her truck driver father Ulysses in an old house, and they rent out the bottom floor to make ends meet. Veronica sees the ghost of her mother in the house, and converses with her while Ulysses is on his out of state trips.

The new tenants are Sawyer, a good-looking, popular athlete at her school, his young sister Lucy, and their mother. Since Sawyer’s parents’ divorce he’s been responsible for his sister and running the household. He’s on the swim team but is struggling with his grades because of dyslexia. His mother drinks too much on the weekends, and to cope, Sawyer seeks out dangerous dives off quarry cliffs and bridges.

In order to graduate Veronica needs to do a senior group project, but no one wants to partner with the class “weird” girl. She convinces Sawyer to partner with her on a project about ghosts, by applying a little blackmail and arguing that it would be convenient for both of them.

Sawyer doesn’t want to visit his father, who is now living with a woman who is expecting his child. He resents his father leaving him with the household responsibilities, and for not paying to support his family. Sawyer’s mother complains of having no money and forgets to pick up Lucy from school, and now Lucy is seeing ghosts.

The story is told from alternating chapters narrated by Veronica and Sawyer. The characters are both smart responsible teens dealing with serious real-world problems. They are facing challenges, both personal and with family and school. It should have wide young adult appeal, especially for fans of John Green.

Reviewed by Susan Belsky, January 2020.

Book Review: Out of the Wild Night by Blue Balliett @BlueBalliett @Scholastic

Out of the Wild Night
Blue Balliett
Scholastic Press, March 2018
ISBN 978-0-545-86756-6
Hardcover

Nantucket was settled by strong folks willing to work hard and, maybe more importantly, together. Of course, how else could a human take down a whale and make use of the entire animal? There is no reason for mainlanders to come to the island, and if not on a hunt, certainly no cause to leave. Living like this creates a unique bond, a bit stronger than even the tightest of communities.

Even generations after whale hunters, with tourists crossing over to visit and fantasize about a slow-paced, small-town lifestyle—which is simply the surface—the ties held tightly. And to be fair, it isn’t as if everyone eventually leaves the island. Rather, the spirits of so many souls seem to find solace in the homes built so long ago and still standing today.

The islanders, for the most part, are content to cohabit with the ghosts. Admittedly, most adults ignore, instead of acknowledge, their presence; but the children and the elderly are often wide open.

To Phee, her mother and grandfather; the spirits are no different than the living. The family treats them the same way—as they would wish to be treated. Although Phee’s mom has been on the mainland for some time now, she and her grandfather have been getting by just fine, minding their own business. Until they couldn’t.

A contractor has come to town and he has dollar signs in his eyes. Blissfully buying up old and cherished homes, gutting them only to fill them with cheap, modern amenities; he doesn’t notice that his actions are anger-inducing. Pranks in and around his work areas quickly morph into more dangerous sabotage-style attacks. Workers are injured. Still, he is not getting the message. Even with Mary Chase doing her best to bring it to his attention.

Mary is frantically reaching out to everyone around, to no avail. She worries that the folks of Nantucket no longer need the spirits of their ancestors. Then she remembers Phee and her grandfather. Soon, Mary has the help that she needs, but will it be in time to calm the ghost-culprits?

Ms. Balliett kept me captivated, guessing…and second guessing, in this Middle-Grade, ghost-story mystery. Easily evident is her admiration and adoration of Nantucket and I enjoyed learning about the island and its people.

Reviewed by jv poore, March 2019.

Book Review: The Hostess with the Ghostess by E. J. Copperman

The Hostess with the Ghostess
A Haunted Guesthouse Mystery #9
E. J. Copperman
Crooked Lane Books, January 2018
ISBN: 978-1-6833-1450-9
Hardcover

Alison Kerby returns in the 9th book in the Haunted Guesthouse Mystery series by E.J. Copperman.  Alison, a single mother in her late thirties, runs a guesthouse in her childhood hometown of Harbor Haven, on the Jersey Shore, inhabited by her and her precocious thirteen-year-old daughter, as well as Maxie Malone, Alison’s resident Internet expert, and Paul Harrison, an English/Canadian professor turned detective, both of whom have lived there since before their deaths, and her deceased father.  It would seem that Alison, her daughter and her mother are the only ones who can see the ghosts.  She now acknowledges the ghostly residents, and advertises the inn as a Haunted Guesthouse, specializing in Senior Plus Tours which include twice-daily ‘spook shows.’   From the publisher: Things are never quiet for long at the Haunted Guesthouse.  Right as Alison Kerby finally gets some peace, long-time deceased Paul Harrison’s recently murdered brother, Richard, shows up looking for the ghostly detective.  But Paul has left for parts unknown months ago – – and Alison doesn’t know how to find him.  As she searches for Paul, Alison discovers that Richard, who was a lawyer, was working a case about a woman accused of murdering her stepfather.  It quickly becomes clear that Richard was getting too close to the truth and was forcibly kept quiet.  Now as Alison continues her investigation, she gets a creeping sensation that the murderer doesn’t appreciate her snooping around.  And if she doesn’t stop, she’ll be next . . .

I found it very helpful to have a “Cast of Characters” on the page before page 1 of the book.  I also loved the first paragraph:  “’Something’s missing.’  I was sitting on a barstool next to the center island in my kitchen, having a conversation with five other people, two of whom were alive.”  But Alison, whose quote that is, quickly goes on to explain, and to introduce those with her, both living and otherwise.  After getting divorced from her 1st husband, who she not-so-lovingly refers to as “the Swine,” she returns to her hometown of Harbor Haven, on the “deservedly famous Jersey Shore,” where she opens her guesthouse. Her euphemisms for the ghosts who reside there, after she introduces the “alive people in the room,” range from “non-living” to those who have been “deprived of life,” but they definitely come to life in this delightful, wholly entertaining book. There is also Maxie’s ghost husband, Everett, who still spends time at the local gas station, where he died. He thinks of it as standing guard at his post.

When first meeting the aforementioned Richard, her “first thought was, “I wonder if he’d do some spook shows.”  Alison et al agree to search for his missing dead brother, who she refers to as her “conscience. He was the Jiminy Cricket of ghosts.”  Alison has now been remarried for four months, to one Josh Kaplan.  Also added to the mix is her daughter Melissa’s little adopted ghost dog, destined to “always be a puppy,” of course.  I loved the comment made when Melissa’s interactions with Alison prompts the latter to think that she couldn’t even be grumpy, which puts “something of a damper on my day.  If you can’t be grumpy, what’s the point of being from New Jersey?”  The plot moves nicely into the investigation inhttp://www.ejcopperman.com/to the murders, which is resolved with contributions from the ghosts, of course.

As I have said in the past about the Copperman books, and it remains just as true, the writing is wonderful, with the author’s s trademark laugh-out-loud wit and intelligence, well-plotted mystery and very well-drawn characters, alive or otherwise.  My preference in mystery genres generally does not include either “cozies” or books dealing in the supernatural (not that there’s anything wrong with those, and many of my best friends love them, I hasten to add).  But this author’s writing overcomes any such reluctance on my part – – his books are always thoroughly delightful, and highly recommended.  His dedication to several brilliant comics of years past ends with the words “there aren’t enough funny people in the world,” a deficit which he certainly helps to overcome.

Reviewed by Gloria Feit, January 2018.

Book Review: First Contact by Kat Green

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Title: First Contact
Series: Haunts for Sale #1
Author: Kat Green
Narrator: Kate Tyler
Publication Date: November 9, 2017

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Purchase Links:

Audible // iTunes // Amazon

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First Contact
Haunts for Sale #1
Kat Green
Narrated by Kate Tyler
The Wild Rose Press, November 2017
Downloaded Unabridged Audiobook

From the publisher—

Sloane Osborne is a paranormal real estate agent in the business of selling haunted houses, but, in truth, she’s only searching for one ghost. And her time is running out.

It’s the 366th day after her fiancé’s death. Michael used to like putting things off for “a year and a day” – so tonight’s the night. Sloane will do anything to make contact with him before the clock strikes midnight. When she gets a call to check out a home in Waukesha, Wisconsin, it’s the last place she thinks Michael would contact her.

Sloane is dead wrong.

This is one of those books that you just have to throw disbelief and credulity to the wind and enjoy the story for what it is. The good thing is it’s well-told and fun enough to keep me going.

Yes, it’s sadly true that the protagonist, Sloane, is TSTL and also driven by an obsesssion to see her fiance one last time before he leaves this dimension for the next because, you see, he died a year ago. To be more specific, he died 365 days, 21 hours and 36 minutes ago so she only has 2 hours and some minutes before his “year and a day” is up. This was my first hint that I was going to have some trouble with this book as obsession of any kind is a red flag for me. Add to that the location; Michael and Sloane didn’t live and he didn’t die in Wisconsin so why would his ghostly presence be there?

Sloane also is blind to all sorts of hints and clues that maybe, just maybe, she shouldn’t do certain things but, hey, that’s what TSTL is all about, right? Anyway, she stumbles into what could be a very dangerous situation when she discovers a house overflowing with ghosts and, at last, her obsession takes second place to trying to help these ghosts escape this mortal plane, hopefully before she becomes one of them. Oh, and there’s a potential romance in her future if her and Michael’s best friend, Jonah, can find her before it’s too late.

Seriously, I did enjoy this story (although I didn’t care for the graphic and unnecessary sex scene) and I especially liked the narrator, Kate Tyler. Her tone and cadence are really pleasing and she does different voices, male and female, quite well. The next book in the series, Second Sight, isn’t out in audio yet but I’ll be looking for it.

Reviewed by Lelia Taylor, February 2018.

About the Author

Kat Green is really the alias of authors KAT de Falla and Rachel GREEN.

Rachel Green has always believed in ghosts but saw her first full body apparition while working at an old movie theater in college. When she met Kat de Falla at a writer’s workshop, she knew she’d met a kindred spirit – one who was also sensitive to the hereafter. And after bonding on a few ghost adventures, Kat Green was born.

Kat lived in a haunted house for too long. When things really heated up, she had several paranormal teams investigate, but things only got worse. When her mother suggested they contact a shaman, she agreed to come, saying she had been waiting for Kat’s call. The home was cleansed and sold. When she paired up with Rachel Green, the idea of co-writing a book with a paranormal real estate agent seemed perfect.

With their combined paranormal “experiences”, they decided to combine their creative mojo. That’s when Sloane Osborne, Paranormal Real Estate agent, and the HAUNTS FOR SALE series was born.

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About the Narrator

Kate Tyler is an audiobook narrator and producer with several published audiobooks available on Audible, iTunes and Amazon.  A background in drama and a successful career in voiceover, Kate lives with her family in San Diego and enjoys swimming, running, cycling and stand up paddleboard.

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Play an excerpt here.

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