From the publisher—
Nine-year-old Samuel lives alone in a once-great estate in Surrey with the family’s housekeeper, Ruth. His father is dead and his mother has been abroad for months, purportedly tending to her late husband’s faltering business. She left in a hurry one night while Samuel was sleeping and did not say goodbye.
Beyond her sporadic postcards, Samuel hears nothing from his mother. He misses her dearly and maps her journey in an atlas he finds in her study. Samuel’s life is otherwise regulated by Ruth, who runs the house with an iron fist. Only she and Samuel know how brutally she enforces order.
As rumors in town begin to swirl, Samuel wonders whether something more sinister is afoot. Perhaps his mother did not leave but was murdered—by Ruth.
Artful, haunting and hurtling toward a psychological showdown, The Boy at the Keyhole is an incandescent debut about the precarious dance between truth and perception, and the shocking acts that occur behind closed doors.
On the surface, this book would seem to have elements of a dark, gothic story, something like Rebecca by Daphne du Maurier, with a looming, cavernous manse, a creepy, sinister housekeeper and a protagonist who becomes more and more suspicious about what’s going on. Really, the main difference is that the protagonist is a child rather than a new young wife being intimidated by the housekeeper while the husband is apparently distant emotionally.
Certainly Samuel has reason to be suspicious, lonesome, baffled, all the feelings a child would have when one parent is dead and the other disappears, supposedly legitimately but without even telling him goodbye. Right there, my empathy went to this little boy who surely deserved better. How disappointed he must have been each day when she didn’t come home.
Ruth is undoubtedly an unpleasant caregiver and it’s no wonder Samuel begins to have dark thoughts about this woman and her peculiar behavior. These feelings are exacerbated by Samuel’s friend who, intentionally or not, hints at nefarious goings-on and the suspense begins to build while Ruth understandably becomes more and more frustrated by this child who dares to snoop and raise questions. Is this all just a child’s imagination run amok?
A promising beginning doesn’t quite succeed, as least not as fully as it could have, and the very slow pace doesn’t help. I also felt the ending was a bit lacking but, overall, I think readers who like a slow-building suspense will be satisfied.
Reviewed by Lelia Taylor, September 2018.
About the Author
Stephen Giles is the Australian author behind the lauded children’s series “Anyone But Ivy Pocket”, penned under the pseudonym Caleb Krisp. The series, published in the US by HarperCollins/Greenwillow and the UK by Bloomsbury, appeared on the New York Times Best Seller List, has been translated into 25 different languages and was optioned by Paramount Pictures.
Prior to selling his first book, Stephen worked in a variety of jobs to supplement his writing including market research, film classification and media monitoring. The Boy at the Keyhole is Giles’ first work for adults and the film rights for this book have been acquired by New Regency.
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