Book Review: The Lost Apothecary by Sarah Penner @sl_penner @parkrowbooks

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Title: The Lost Apothecary
Author: Sarah Penner
Publication Date: March 2, 2021
Genres: Mystery, Historical

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The Lost Apothecary
Sarah Penner
Park Row Books, March 2021
ISBN 978-0-7783-1101-0
Hardcover

From the publisher—

In this addictive and spectacularly imagined debut, a female apothecary secretly dispenses poisons to liberate women from the men who have wronged them—setting three lives across centuries on a dangerous collision course. Pitched as Kate Morton meets The Miniaturist, The Lost Apothecary is a bold work of historical fiction with a rebellious twist that heralds the coming of an explosive new talent.

A forgotten history. A secret network of women. A legacy of poison and revenge. Welcome to The Lost Apothecary…

Hidden in the depths of eighteenth-century London, a secret apothecary shop caters to an unusual kind of clientele. Women across the city whisper of a mysterious figure named Nella who sells well-disguised poisons to use against the oppressive men in their lives. But the apothecary’s fate is jeopardized when her newest patron, a precocious twelve-year-old, makes a fatal mistake, sparking a string of consequences that echo through the centuries.

Meanwhile in present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, running from her own demons. When she stumbles upon a clue to the unsolved apothecary murders that haunted London two hundred years ago, her life collides with the apothecary’s in a stunning twist of fate—and not everyone will survive.

With crackling suspense, unforgettable characters and searing insight, The Lost Apothecary is a subversive and intoxicating debut novel of secrets, vengeance and the remarkable ways women can save each other despite the barrier of time.

Just imagine if a woman could go to her local pharmacist and ask for a “special” medication to give to a particular man in her life, a man who has done her wrong in some way. Then take it a step further and imagine that this woman lives in a time when there were very few protections for women who were controlled in every meaningful way by a husband, a father, a suitor, a banker, a lawyer, essentially any male figure. Such is the the premise of this wonderfully creative story and it’s made even better by having the perspective of a modern-day woman as well as those from the 18th century.

This is a tale of three women—Nella, the apothecary in 1791, the young maid, Eliza, and Caroline, a modern woman who is at an important crossroads in her life—and all three come to vivid life in the author’s talented hands. Most intriguing to me was delving into how Nella turned to the dark side of what had been a respected profession and the visibly damaging effect her actions had on her physically as well as psychologically with each succeeding client.

Mystery fans will find much to chew on here and one suspenseful thread after another certainly kept me engaged till deep in the night. Well done, Ms. Penner!

Reviewed by Lelia Taylor, March 2021.

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An Excerpt from The Lost Apothecary

Nella

February 3, 1791

She would come at daybreak—the woman whose letter I held in my hands, the woman whose name I did not yet know.

I knew neither her age nor where she lived. I did not know her rank in society nor the dark things of which she dreamed when night fell. She could be a victim or a transgressor. A new wife or a vengeful widow. A nursemaid or a courtesan.

But despite all that I did not know, I understood this: the woman knew exactly who she wanted dead.

I lifted the blush-colored paper, illuminated by the dying flame of a single rush wick candle. I ran my fingers over the ink of her words, imagining what despair brought the woman to seek out someone like me. Not just an apothecary, but a murderer. A master of disguise.

Her request was simple and straightforward. For my mistress’s husband, with his breakfast. Daybreak, 4 Feb. At once, I drew to mind a middle-aged housemaid, called to do the bidding of her mistress. And with an instinct perfected over the last two decades, I knew immediately the remedy most suited to this request: a chicken egg laced with nux vomica.

The preparation would take mere minutes; the poison was within reach. But for a reason yet unknown to me, something about the letter left me unsettled. It was not the subtle, woodsy odor of the parchment or the way the lower left corner curled forward slightly, as though once damp with tears. Instead, the disquiet brewed inside of me. An intuitive understanding that something must be avoided.

But what unwritten warning could reside on a single sheet of parchment, shrouded beneath pen strokes? None at all, I assured myself; this letter was no omen. My troubling thoughts were merely the result of my fatigue—the hour was late—and the persistent discomfort in my joints.

I drew my attention to my calfskin register on the table in front of me. My precious register was a record of life and death; an inventory of the many women who sought potions from here, the darkest of apothecary shops.

In the front pages of my register, the ink was soft, written with a lighter hand, void of grief and resistance. These faded, worn entries belonged to my mother. This apothecary shop for women’s maladies, situated at 3 Back Alley, was hers long before it was mine.

On occasion I read her entries—23 Mar 1767, Mrs. R. Ranford, Yarrow Milfoil 15 dr. 3x—and the words evoked memories of her: the way her hair fell against the back of her neck as she ground the yarrow stem with the pestle, or the taut, papery skin of her hand as she plucked seeds from the flower’s head. But my mother had not disguised her shop behind a false wall, and she had not slipped her remedies into vessels of dark red wine. She’d had no need to hide. The tinctures she dispensed were meant only for good: soothing the raw, tender parts of a new mother, or bringing menses upon a barren wife. Thus, she filled her register pages with the most benign of herbal remedies. They would raise no suspicion.

On my register pages, I wrote things such as nettle and hyssop and amaranth, yes, but also remedies more sinister: nightshade and hellebore and arsenic. Beneath the ink strokes of my register hid betrayal, anguish…and dark secrets.

Secrets about the vigorous young man who suffered an ailing heart on the eve of his wedding, or how it came to pass that a healthy new father fell victim to a sudden fever. My register laid it all bare: these were not weak hearts and fevers at all, but thorn apple juice and nightshade slipped into wines and pies by cunning women whose names now stained my register.

Oh, but if only the register told my own secret, the truth about how this all began. For I had documented every victim in these pages, all but one: Frederick. The sharp, black lines of his name defaced only my sullen heart, my scarred womb.

I gently closed the register, for I had no use of it tonight, and returned my attention to the letter. What worried me so? The edge of the parchment continued to catch my eye, as though something crawled beneath it. And the longer I remained at my table, the more my belly ached and my fingers trembled. In the distance, beyond the walls of the shop, the bells on a carriage sounded frighteningly similar to the chains on a constable’s belt. But I assured myself that the bailiffs would not come tonight, just as they had not come for the last two decades. My shop, like my poisons, was too cleverly disguised. No man would find this place; it was buried deep behind a cupboard wall at the base of a twisted alleyway in the darkest depths of London.

I drew my eyes to the soot-stained wall that I had not the heart, nor the strength, to scrub clean. An empty bottle on a shelf caught my reflection. My eyes, once bright green like my mother’s, now held little life within them. My cheeks, too, once flushed with vitality, were sallow and sunken. I had the appearance of a ghost, much older than my forty-one years of age.

Tenderly, I began to rub the round bone in my left wrist, swollen with heat like a stone left in the fire and forgotten. The discomfort in my joints had crawled through my body for years; it had grown so severe, I lived not a waking hour without pain. Every poison I dispensed brought a new wave of it upon me; some evenings, my fingers were so distended and stiff, I felt sure the skin would split open and expose what lay underneath.

Killing and secret-keeping had done this to me. It had begun to rot me from the inside out, and something inside meant to tear me open.

At once, the air grew stagnant, and smoke began to curl into the low stone ceiling of my hidden room. The candle was nearly spent, and soon the laudanum drops would wrap me in their heavy warmth. Night had long ago fallen, and she would arrive in just a few hours: the woman whose name I would add to my register and whose mystery I would begin to unravel, no matter the unease it brewed inside of me.

Excerpted from The Lost Apothecary by Sarah Penner, Copyright © 2021 by Sarah Penner. Published by Park Row Books.

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About the Author

Credit Laura Foote

Sarah Penner is the debut author of The Lost Apothecary, to be translated in eleven languages worldwide. She works full-time in finance and is a member of the Historical Novel Society and the Women’s Fiction Writers Association. She and her husband live in St. Petersburg, Florida, with their miniature dachshund, Zoe. To learn more, visit slpenner.com

Social Links:

Author website: https://www.sarahpenner.com/

Facebook: @SarahPennerAuthor

Instagram: @sarah_penner_author

Twitter: @sl_penner

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**A copy of this book was provided by the publisher
via NetGalley in exchange for an honest review.**

Book Reviews: It’s Always the Husband by Michele Campbell and The Devil’s Cold Dish by Eleanor Kuhns

It’s Always the Husband
Michele Campbell
St. Martin’s Press, May 2017
ISBN 978-1-250-08180-3
Hardcover

From the publisher—

Kate, Aubrey, and Jenny first met as college roommates and soon became inseparable, despite being as different as three women can be. Kate was beautiful, wild, wealthy, and damaged. Aubrey, on financial aid, came from a broken home, and wanted more than anything to distance herself from her past. And Jenny was a striver―brilliant, ambitious, and determined to succeed. As an unlikely friendship formed, the three of them swore they would always be there for each other.

But twenty years later, one of them is standing at the edge of a bridge, and someone is urging her to jump.

How did it come to this?

Kate married the gorgeous party boy, Aubrey married up, and Jenny married the boy next door. But how can these three women love and hate each other? Can feelings this strong lead to murder? When one of them dies under mysterious circumstances, will everyone assume, as is often the case, that it’s always the husband?

I’m kind of conflicted about this book because, while I think the story of these women’s friendship is interesting, I can’t say I actually liked them or the police chief very much. As college students, they seemed like an oddly matched trio and they aren’t really any more compatible as they get older. It’s all just a little sad in a way and, although it’s true I didn’t connect emotionally with any of the three, I was still compelled to keep reading.

The first section drags a bit or perhaps it would be fairer to say that the pacing is on the slow side, deliberately so, and that makes the contrast with the second section even more noticeable. That second section is when I began to pay attention and wanted to know what would eventually happen but I still couldn’t find much in any of these women to care about. Kate in particular is an enigma or, rather, everyone’s near adoration of her is the enigma as she is one of the most unpleasant, better-than-thou people you can imagine.

An awful event in their younger years cements their connection to each other and that secret from the past has deadly implications in the present. This is the interesting part, getting bits and pieces from earlier years that begin to come together now, but it doesn’t quite make up for my dislike of these people. All in all, this is not a book I was crazy about.

Reviewed by Lelia Taylor, June 2017.

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The Devil’s Cold Dish
Will Rees Mysteries #5
Eleanor Kuhns
Minotaur Books, June 2016
ISBN 978-1-250-09335-6
Hardcover

From the publisher—

Will Rees is back home on his farm in 1796 Maine with his teenage son, his pregnant wife, their five adopted children, and endless farm work under the blistering summer sun. But for all that, Rees is happy to have returned to Dugard, Maine, the town where he was born and raised, and where he’s always felt at home. Until now. When a man is found dead – murdered – after getting into a public dispute with Rees, Rees starts to realize someone is intentionally trying to pin the murder on him. Then, his farm is attacked, his wife is accused of witchcraft, and a second body is found that points to the Rees family. Rees can feel the town of Dugard turning against him, and he knows that he and his family won’t be safe there unless he can find the murderer and reveal the truth…before the murderer gets to him first.

There’s a special place in my reading heart for historical mysteries and I especially like the 17th and 18th centuries in America so this book was sort of calling my name. Happily, I was not the least bit disappointed.

Rees and his family don’t have an easy life on the farm and relations with his sister and his son are very strained but they’re basically content and Will is happy to be back home in Dugard. The politics of the time cause arguments among the townspeople and Will is frequently right in the midst of the fracas but he’s not really prepared for the physical fight he has with an old friend, Mac McIntyre. When another man, Zadoc Ward, is murdered, Constable Caldwell invites Will to come along to see the body.  It’s during his investigation with Caldwell that Will becomes aware of a certain animosity in the community towards him, much stronger than he had thought, but this murder is only the beginning of the attacks on the Rees family.

Ms. Kuhns has a real grasp on this time period and the nuances of the lives of people who experienced the Revolution and its aftermath. Her research is obviously extensive but it doesn’t stilt her writing at all and I could really envision the setting, the times and the people. Not everyone can write historical fiction well but this author certainly does and now I need to reward myself with the previous books in this series.

Reviewed by Lelia Taylor, June 2017.