Solving Cadence Moore
Aperture Press, November 2017
An intense novel fashioned in a very creative and unusual way, Solving Cadence Moore struggles to match its creative vision. It is rooted in the modern radio podcast phenomenon. Charlie Marx, successful radio podcast creator and star has a fine and lasting career in a fairly volatile professional area. He’s progressed through solid talent and the support of a major broadcasting executive, but he wants more. He thinks he’s found a vehicle, a ten-year old mystery.
Young talented and striking-looking (cliché?) Candace Moore is at the beginning of her career as a star vocalist and song creator. When she disappears and no trace has ever been found of her, the mystery endures and grows. Marx believes he can solve the murder and he exaggerates his proof to his boss in order to gain permission to create a star series of podcasts.
Things begin to fall apart when production time is squeezed down and witnesses become reluctant. Marx endures long and tense confrontations with his boss, with members of his production team and with some witnesses he turned up.
The novel, frequently written as a radio script, is long, tedious at times and is shot full of disagreeable language, confrontation after confrontation, and little consideration for the reader. Nine chapters divide a 362-page story. Long involved arguments detailing strengths and weaknesses of character’s positions, often with little or no descriptive language tend to give the narrative a slow and steady progression. Readers will assume, perhaps correctly, that the profession of radio broadcasting, especially when focused on the dramatization of true events, is replete with the kind of competition and repetitive tests of wills fostered by strongly opinionated, testosterone supplied males.
In sum an excellent idea burdened by a limited exposition, resulting in relief that the novel is done, rather than disappointment for the final period.
A Sin City Investigation #1
Midnight Ink Books, February 2018
An interesting if troublesome book about the search for a deteriorating psychopathic serial killer. The story has several things going for it, an unusual killer, a raft of police and FBI characters, and at least three sort-of-legal private searchers. The least likeable of the three, a shambling, bumbling private investigator named Jim Bean works alone, except when he needs help, which is frequently. The other two, O, a bounty-hunter, and Bean’s obligatory cyber/research expert add a little to the narrative, although O adds the least.
The setup is excellent and would have been even better if Bean wasn’t portrayed as so constantly second-guessing himself. A woman hires him to find her long-lost brother. She promptly drugs and seduces Bean which interferes with Bean’s thoughts and emotions, often at crucial junctures.
The story takes place in Texas, Nevada, California and Indiana. As the target descends gradually, logically, and cleverly into madness, the tension rises and more bodies litter the ground. Largely well-written and edited there are a few point-of-view shifts that are momentarily confusing but taking it all together, the novel is worth its price.