State University of Murder
A Nick Hoffman Mystery #9
Perseverance Press, April 2019
Satirical, amusing, sometimes funny, scalpel sharp and relentless, this Nick Hoffman murder story will engage most academics, offend a few and, in the bargain, offers up a classic who-dunnit. Raphael’s writing, as always, is incisive, often cutting and mostly to the point.
The author provides an extensive context of the lives of the two principal characters, Professor of Literature, Nicholas Hoffmann, a semi-professional investigator and his marriage and life partner, Stefan, also a professor at the State University of Michigan (SUM) and a highly thought-of successful crime novelist.
Their department has recently been renamed English and Creative Writing, in the apparently usual manner, by Trustees of the University with little or no faculty consultation. This gives the author opportunity to swing wider his cleaver of criticism, aimed at all members of the academic community, top to bottom. A new chair has also been named, a flamboyant, self-centered, egotistical man of letters from France. He endears himself immediately to all full-time and adjunct faculty by making a series of unilateral decisions without consultation, thus raising to untold levels the ire of the department. Hoffman deplores the new office spaces as well.
The author carefully introduces us to many department members and sets the stage for murder, pointing to faculty jealousies and resentments which abound on this campus. The story moves along at a reasonable pace, with many side trips to drinks, dinner, a dog and social activities. All of it is precisely and clearly written with many quips and even sarcastic references to the world at large.
The story is well-placed in the world of today and reflects accurately the author’s world view and that of a more compressed academic community. The mystery is solved, the murderer arrested and the academics return to their emotionally fraught tasks of educating eager young people.
Poisoned Pen Press, October 2014
Award-winning journalist and author, Bommersbach brings to this moving thoughtful novel, years of careful research, good writing and yes, a jaundiced eye. Those attributes are particularly important for this project because the author is directly confronting long-standing scurrilous myth about the subject of the novel, a woman named Ella Watson, and about the mythology of the settlement of the west.
Every child alive in America today as well as previous generations grew up on stories of the men who settled the western plains of North America in the years following the Civil War. There were strong mountain men, trappers, taciturn cowboys, sodbusters and cattlemen. Mostly missing from the narrative are the stories of the strong women who proved up on land grants, herded cattle and made homes for the men in their lives.
This is the story of once such strong woman, secretly married, who owned land in Wyoming Territory and was murdered, along with her husband on a July day in 1889. The couple was murdered by several landowners who claimed, along with help from local newspapers, that she was a pimp and a prostitute and a cattle rustler. Her attackers simply wanted her land and water rights.
The author meticulously tells the story of Ella Watson from her early life in Canada and Kansas to her death. Bommersbach’s canvas is broad and richly colored with the times, the trials and the triumphs of so many women on the frontier. The characters are clever and vividly portrayed. The pace at times slows to a thoughtful meander, but never loses focus. Here is a novel of the true old west to be read, savored and read again.