The Crimes of Paris
Dorothy & Thomas Hoobler
Little Brown & Company, April 2009
The book begins with the theft of the Mona Lisa in 1911 from the Louvre. It ends only a few years later when an artist of some renown named Marcel Duchamp drew a mustache on a small reproduction of La Gioconda which, in effect, as the authors say, transformed the painting from a “masterpiece of Renaissance art to an icon of modernism.”
That was in 1919. A mere eight years had passed, during which Paris had experienced a World War and been the host to nearly every giant of science, literature, the arts and politics. It was an amazing time when Trotsky and Marx, Hemingway and Picasso and Cezanne met and drank and socialized in Montmartre and Montparnasse and attended original short plays at the Grand Guiginol.
It was a period when the first professional private investigator appeared and the science of forensic investigation developed as a recognized arm of law enforcement. And it was a period during which some of the most vicious and creative gangs of criminals roamed the streets of the City of Lights.
The book is engagingly written and organized in a thoughtful way to encourage readers to delve more deeply into intriguing topics with voluminous notes, and an extensive bibliography. Yet, a reader who is only casually interested in the period and the players will find this book a fast and enjoyable read. But a casual reader will be drawn in, to the writing, the style, the language and the content. This is a fascinating work of great consequence.