From the publisher—
When debut novelist Eliza Fontaine is found at the bottom of a hotel pool, her family at first assumes that it’s just another failed suicide attempt. But Eliza swears she was pushed, and her rescuer is the only witness.
Desperate to find out who attacked her, Eliza takes it upon herself to investigate. But as the publication date for her novel draws closer, Eliza finds more questions than answers. Like why are her editor, agent, and family mixing up events from her novel with events from her life? Her novel is completely fictional, isn’t it?
The deeper Eliza goes into her investigation while struggling with memory loss, the closer her life starts to resemble her novel, until the line between reality and fiction starts to blur and she can no longer tell where her protagonist’s life ends and hers begins.
The Elizas is an interesting kind of crime fiction in that much of the story has the protagonist, Eliza, questioning her own mental faculties and the reader is just as baffled as she is. Eliza isn’t very likeable—some of her behavior, particularly in the past, can be called unpleasant at best—and most of us are not saintly enough to blithely overlook some aspects of mental issues so connecting with her takes patience and effort. After all, having someone in our lives who may or may not be psychologically damaged is just not easy but I did sympathize with Eliza as she struggled to understand what was real and what wasn’t.
There’s a scene near the end that I wondered about because it seemed so unlikely; a police detective tells Eliza something about the authorities not doing an autopsy and it struck me as a strange accommodation for the police to make. Perhaps the approach is different in Los Angeles and I was just unaware.
The impact this novel could have had on me was lessened somewhat by the use of first person present tense. I know many other readers feel otherwise but I just don’t understand why any crime fiction author does this. Instead of heightening the tension, it pulls me out of the story because (1) unless something supernatural is going to happen, I know the speaker is going to survive so I really don’t need to worry and (2) I can’t help wondering how the protagonist is telling the story as he runs down the street, gun blazing. But then that’s just me and I’m quite sure others will find this perfect for the reader who wants a thriller that is less intense than so many.
Reviewed by Lelia Taylor, April 2018.
About the Author
Sara Shepard is the #1 New York Times bestselling author of the Pretty Little Liars series. She has also written other Young Adult series and novels, including The Lying Game, The Heiresses, and The Perfectionists. Sara now lives in Pittsburgh with her family.
“A story blending Hitchcock, S.J. Watson, and Ruth Ware.”
—Entertainment Weekly (EW.com)
“Shepard brings her knack for the tightly-wound thriller that
earned Pretty Little Liars its runaway success to a whole new
demographic… Clever and attention-grabbing, this is one book
you won’t be able to leave sitting on the nightstand for long.”
—Harper’s Bazaar, 10 New Books to Add to Your Reading List in 2018
“With a cast of dodgy characters and twists you won’t see coming,
the New York Times bestselling author of Pretty Little Liars
will keep you on your toes until the very last page.”
—Redbook, 14 Books You Won’t Want to Miss in 2018