From the publisher—
“I wouldn’t scream if I were you. Unless you want the whole world to learn about your husband and his mistress.”
Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events—for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.
“You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear.”
Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.
Real people have been featured as characters in works of fiction before now, pretty frequently, in fact. Having Agatha Christie be the central figure in a murder is taking things a step further considering who she was and her undoubted mind for crime and her well-known yet unexplained disappearance is the perfect backdrop to such a scenario. As a longtime Christie enthusiast, I couldn’t help wanting to see what Andrew Wilson would do with this idea and I was rewarded, with some reservations.
Solving the puzzle of where Dame Agatha was during those few days is one of the holy grails of the mystery world and, hey, this could have happened, right? If anybody was ever born to successfully commit murder, she’s the one, but I think I know too much about her persona and her life to fall completely for the plot. Still, I think Mr. Wilson showed restraint in not letting the premise go too far and become laughable, proving his true regard of this remarkable woman.
The style of this mystery is just right for the times and the then-existent quirks of society with a despicable villain, a wandering husband, a shameful mistress and a heroine who’s not exactly helpless. Think about it—who better to contemplate doing murder and then work to figure a way out than the Queen of Mystery?
Hesitations put aside for the nonce, I let myself go with the flow and found this to be a highly entertaining “what if”. I can’t think of a better way to celebrate this wonderful author, can you?
Reviewed by Lelia Taylor, July 2017.
“In a stranger-than-fiction spin, crime novelist Agatha Christie
went missing for 11 days in 1926. Author Andrew Wilson uses
that real-life mystery as a starting point for a whodunit
as gripping as Christie’s own beloved writing.”
—Coastal Living, 50 Best Books for the Beach This Summer
“It’s a real-life mystery that has never been explained: In 1926,
mystery writer Agatha Christie left her house, abandoned her
car and disappeared for 11 days. Christie, in her mid-30s at the
time, claimed that she had amnesia and couldn’t remember what
had happened or why. Now, nearly 100 years later, Andrew Wilson
has written a novel that imagines what might have happened to
her in that missing chunk of time – a story based partly
on research and partly on his imaginings.”
—Houston Chronicle, Summer Reading List: 15 Anticipated
Books for the Long, Hot Days Ahead
About the Author
Andrew Wilson is the highly-acclaimed author of biographies of Patricia Highsmith, Sylvia Plath, Alexander McQueen, as well as Shadow of the Titanic: The Extraordinary Stories of Those Who Survived. His first novel, The Lying Tongue, was published by Atria in 2007. His journalism has appeared in The Guardian, The Daily Telegraph, The Observer, The Sunday Times, The Daily Mail, and The Washington Post.
Agatha Christie never spoke of her ten-day disappearance in the
winter of 1926, and it has remained one of the most intriguing
mysteries of modern times. She eventually turned up in a seaside
hotel, registered under the name of her husband’s mistress.
The official statement released by the family was that Christie
suffered a sudden episode of amnesia as the result of a car crash.
She rarely talked about the experience, and omitted its
mention entirely from her autobiography.
“Wilson (The Lying Tongue) effectively imagines a different
scenario in this twisty thriller… Wilson fully realizes
the potential of this ominous setup.”
“A most ingenious homage, solidly researched…
Christie would have applauded its intricacy.”
—Andrew Taylor, author of The Ashes of London