Point, May 2016
Fifteen-year-old Summer Everett is set to fly off to the south of France for a visit with her artist father and a chance to see his painting, Fille. Her father’s painting of his daughter as a young girl hangs in a museum there, and Summer has never seen it in person. Summer’s divorced mother discouraged the visit from the beginning, and Summer waits at the boarding gate with a heavy heart because of the terrible quarrel with her mother just before her best friend picked her up to drive her to the airport.
Just as she’s about to hand over her boarding pass and walk onto the plane, Summer’s cell phone rings. It’s a number she doesn’t recognize. From that point, we are swept into the story of two possible summers. In one, she ignores the call and goes to France. In the other, she answers the call and stays home in Upstate New York. In both, she breaks from her normal life, learns about herself, and must process changes in her life that include her best friend breaking bonds and a devastating family secret.
We learn about these scenarios through Summer’s first person descriptions, actions, and thoughts. Sometimes her inner thoughts sound profound, more like mature reflection on her actions, and sometimes her thoughts are childish. Altogether, she’s split, like her summer, thus becoming realistic and worthy of our concern.
I couldn’t put the book aside for long without wondering what would happen. How would the two summers (Summers) fit together and become whole? This is an imaginative coming-of-age story, or two stories, that include beautiful descriptions of a picturesque French village in Provence, exciting New York City, and a tranquil small town in New York State. There’s as much here for an adult as there is for a teenager.
Reviewed by Joyce Ann Brown, October 2016.
Author of cozy mysteries: Catastrophic Connections, Furtive Investigation and Nine LiFelines, the first three Psycho Cat and the Landlady Mysteries.