From the publisher—
Autumn, 1565: When an actor’s daughter is murdered on the banks of Kyoto’s Kamo River, master ninja Hiro Hattori and Portuguese Jesuit Father Mateo are the victim’s only hope for justice.
As political tensions rise in the wake of the shogun’s recent death, and rival samurai threaten war, the Kyoto police forbid an investigation of the killing, to keep the peace–but Hiro has a personal connection to the girl, and must avenge her. The secret investigation leads Hiro and Father Mateo deep into the exclusive world of Kyoto’s theater guilds, where they quickly learn that nothing, and no one, is as it seems. With only a mysterious golden coin to guide them, the investigators uncover a forbidden love affair, a missing mask, and a dangerous link to corruption within the Kyoto police department that leaves Hiro and Father Mateo running for their lives.
Each time I read a new book in Susan Spann’s series featuring a pair of most unusual private investigators, I find more to like and that’s the case this time, too. Father Mateo and Hiro Hattori have completely solidified their status among my very favorite sleuths. A more likeable and appealing duo would be hard to find.
Also, once again, Ms. Spann has broadened my knowledge of the culture and mores of 16th-century Japan, most especially in the way class distinctions were viewed. I doubt that today’s actors would appreciate knowing that the murder of one of their own would evoke absolutely no interest or concern in the eyes of the law but that’s the rigidity of the class system in place at the time. When the Kyoto police consider that the clearly murdered Emi was not murdered simply because no one cares about an actor’s daughter, the Portuguese Jesuit priest is understandably outraged. His samurai companion, on the other hand, discovers an even more compelling reason to investigate, quietly and, he hopes, without alerting the authorities.
Political machinations are also at play and I find this aspect of the series, and this book, to be just as interesting as the murder investigation. I always learn something when I read one of these books and, in The Ninja’s Daughter, I picked up bits about the particular kind of Japanese theater called Noh as well as the societal class distinctions, not to mention some of Hiro’s own family history and, of course, there’s a cracking good mystery and highly intelligent sleuthing.
A cast of characters and a glossary of Japanese words are highlights and make this even more enjoyable while secondary characters Ana, Luis and Gato feel like family to me as they must to the priest and the shinobi. A reader new to the series will be comfortable starting mid-stream since the author gives enough background information to allow the book to work as a standalone.
I had a hard time sleeping while I was reading because I just didn’t want to put it down. Susan Spann has one of the very best historical mystery series being written today and The Ninja’s Daughter has earned a spot on my list of favorite books read in 2016. I’m already anticipating Hiro’s and Father Mateo’s next adventure.
Reviewed by Lelia Taylor, July 2016.
About the Author
Susan Spann is a transactional publishing attorney and the author of the Shinobi Mysteries, featuring ninja detective Hiro Hattori and his Portuguese Jesuit sidekick, Father Mateo. Her debut novel, CLAWS OF THE CAT (Minotaur Books, 2013), was named a Library Journal Mystery Debut of the Month. Susan has a degree in Asian Studies from Tufts University, where she studied Chinese and Japanese language, history, and culture. Her hobbies include cooking, traditional archery, martial arts, and horseback riding. She lives in northern California with her husband, son, two cats, and an aquarium full of seahorses.
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