A Night in the Lonesome October
Roger Zelazny
Chicago Review Press, October 2014
ISBN 978-1-55652-560-5
Trade Paperback
A quirky blend of horror, mystery, the story is narrated by Snuff, a dog. Jack the Ripper’s dog, although Jack is never quite identified. Nevertheless, he’s easily recognizable in a cast that somehow includes Sherlock Holmes, Dr Frankenstein, and Dracula, among others. Forgive me, but I’m not certain who “Jill” is, beyond an “opener.” Openers and closers being two supernatural factions who, during the month of October, gather creepy stuff to aid them in opening–or closing–the gates into the underworld.
Each of these characters has an animal companion. Jill has a cat, there’s a snake, a raven, a pack rat who’s a bit of a loose cannon. And they all speak. There are also monsters and “things” kept in mirrors and jars and old steamer trunks. Snuff is in charge of keeping them all safely corralled until the big night of October 31. Halloween.
Day-by-day, the tension mounts as the people go about collecting items needed for the opening–or closing–ceremony. Some people are friends, some dire enemies. Ditto their animal familiars. And once a night, Snuff is able to speak out loud to Jack, and so the story progresses.
As one might imagine, the finale is enough to make you shiver although, not to worry, the good guys win. Or do they? Since when is Jack the Ripper a good guy?
Since Roger Zelazny, in his last book, created this highly innovative story, which is complete with illustrations by Gahan Wilson. A perfect read for the month of October (or any month).
Reviewed by Carol Crigger, August 2015.
Author of Three Seconds to Thunder.
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A Bullet Apiece
Saint Louis Noir #1
John Joseph Ryan
Blank Slate Press, July 2015
ISBN: 978-1-943075-01-0
Trade Paperback
The novel is a comfort read. That is, if you are an inveterate reader of crime fiction, you can be comforted knowing that every joke, every bon mot, just about every cliché of the genre finds its way into the pages of this book. The dialogue ain’t far off, either.
Ed Darvis is a St. Louis PI with a main-floor office in a seedy part of town. The period is sometime after the end of the second world war. Across the road-I suspect it’s a paved street-is a charter school of some kind and while Mr. Darvis is currently idle, he spends time smoking cigarettes, observing the kiddies and ogling the teachers. And some of the parents.
One day, a leggy, seductive woman who drives a late-model Caddy coupe bursts from the school door in what our astute PI deduces is intense fear, “radiating off her like heat waves.” She roars off in a cloud of exhaust leaving one of the teachers, clearly agitated, standing at the schoolroom door. What we have is clearly a case of child abduction. Enter PI Ed Darvis, cigarette dangling, loaded .38 in his belt, ready and willing to find the child and bed either comely teacher or luscious mother, not necessarily in that order.
The dialogue is snappy and often cute, the action is rousing and predictable and the plot becomes surprisingly tangled. Whether the whole thing is a tongue-in-cheek put-on or a serious attempt at a novel is for readers to determine. This reviewer is persuaded the author invested a considerable effort to produce this story and it has its moments.
Reviewed by Carl Brookins, November 2015.
http://www.carlbrookins.com http://agora2.blogspot.com
The Case of the Purloined Painting, The Case of the Great Train Robbery, Reunion, Red Sky.