Reed Farrel Coleman
Tyrus Books, May 2013
[The book is also available in trade paperback, ISBN 978-1-4405-3946-6]
After seven novels in the Moe Prager mystery series, a retrospective is in order, especially after Moe has undergone surgery and chemotherapy for stomach cancer. The occasion follows the funeral of a boyhood (and best) friend, after which his daughter, visiting from Vermont, asks him why he became a cop, and what follows is a story by itself.
Moe looks back to events in 1968 when he and his friends were attending Brooklyn College. The Vietnam War was raging, radicalism was in the air, and Moe was at loose ends. One night his girlfriend is found in a coma on the street, apparently having been viciously beaten, and suddenly Moe has a mission: to find the man who beat her up, taking him on a journey that later led him to become a policeman and PI.
It is a hard-boiled tale involving all the worst elements of the period, bomb-throwing radicals, dope pushers, rotten cops and the like. It also is a deep moral story involving right and wrong. The humor of past Moe Prager novels is missing from Onion Street, but that is completely understandable: it is not a light-hearted subject with deaths strewn along the way. And some of Moe’s various actions can be questioned, while his intentions are always honorable. All in all, it is a very human saga, and we get to know Moe a lot better in a serious way. Recommended.
Reviewed by Ted Feit, September 2013.
Enigma of China
Minotaur Books, June 2013
Chief Inspector Chen faces more than a riddle in this latest chronicle of life in Shanghai. He has to weigh his role as a cop and party official against the truth. As a result of the supposed suicide of the head of the Shanghai Housing Development Committee following his exposure of massive corruption, Chen is asked to act as a consultant in the police investigation. The premise is that the result would be a verdict of suicide, burying the case, and Chen’s “endorsement” would seal it, he being known as an incorruptible cop.
The case, however, develops into far more than what the authorities wish, especially when the detective in charge of the case leans toward a murder charge. The corrupt practices came to light from exposure over the internet, giving the author license to look at the conflict between the loosening of Chinese “democracy” and the conflict with the needs of the one-party system to “harmonize” political crimes.
In a way, the novel takes place on three levels. First, it is a straightforward police procedural. Then, as in all of the books in the series, it is a serious look at present-day China. Lastly, there is some degree of romantic interest, introducing a female journalist who not only provides Chen with much assistance in his investigation, but a sexual attraction as well (although, at least to this point, unconsummated). The novel follows the similar pattern of including snippets of Chinese poetry along the way to make points. The one negative comment concerning the novel is the inconclusive ending. But, perhaps, that is to be resolved, along with Chen’s love life, in a future volume.
Reviewed by Ted Feit, October 2013.
Evil and the Mask
Soho Crime, June 2013
In this author’s second novel to be excellently translated into English, a story in an extremely different genre takes the reader into the realm of crime noir of an unusual nature. It tells the story of an 11-year-old boy whose father informs him that he is to be trained to become a “cancer” on the world, creating havoc and misery wherever he goes. The family, it seems, has developed a long line of such evil, each generation spawning one such monster.
So the training begins, and a young girl is brought in to become a companion to the boy. They fall in love, part of the father’s plan to subject the boy to “hell” at some future date. Instead the boy, three years later, murders his father and consequently ends up just as he might have had the original plan come to fruition. He spends his life thereafter trying to hide from the very fact that he has committed the ultimate crime and, at the same time, trying to protect the girl from evil.
The prose is as simple and straightforward as the tale is twisted. It is a far different effort from this author’s previous novel, The Thief, which also described an antihero, albeit of a different stripe. This book is a complicated crime novel with deep psychological undertones into the minds of warped persons. It is told in the first person by the protagonist as he endures the horrors to which he is subjected, yet demonstrating his efforts to overcome the onus of what he has done and his background. Recommended.
Reviewed by Ted Feit, November 2013.