Book Reviews: The Memory of Trees by F.G. Cottam and Anne Perry and the Murder of the Century by Peter Graham

The Memory of TreesThe Memory of Trees
F.G. Cottam
Severn House, October 2013
ISBN 978-0-7278-8315-5
Hardcover

From the publisher—

Billionaire Saul Abercrombie owns a vast tract of land on the Pembrokeshire coast.  His plan is to restore the ancient forest that covered the area before medieval times, and he employs young arboreal expert Tom Curtis to oversee this massively ambitious project.

Saul believes that restoring the land to its original state will rekindle those spirits that folklore insists once inhabited his domain. But the re-planting of the forest will revive an altogether darker and more dangerous entity – and Saul’s employee Tom will find himself engaging in an epic, ancient battle between good and evil.  A battle in which there can be only one survivor.

We have a collective unease when it comes to deep forests and that unease has pervaded our storytelling world for a long time. From Hansel and Gretel abandoned in the woods to Dorothy’s trek with her companions to the simple stories of British highwaymen, we’ve been preconditioned to prefer open space. With that mindset, I anticipated a good scary tale in The Memory of Trees. Alas, it didn’t quite pan out that way.

The idea of megalomaniacal men trying to manipulate sorcery to obtain good health or immortality is not a new idea and it’s a serviceable motive for Saul Abercrombie’s desire to rebuild a vast forest on his land but I found his total disregard for what might happen to his daughter rather unlikely. Even more so was everyone’s lack of serious alarm when confronted with abnormal and threatening situations. As an example, Tom Curtis and Sam Freemantle go to a location called Gibbet Mourning where they observe something that is undeniably menacing and actually begins to “rustle and shiver” and make sighing noises when Sam approaches it. Should I find myself in such a scenario, I’d run for the nearest collection of people and hide in a dark corner but Sam and Tom calmly talk about hauntings and agree that they don’t like the place. That’s it. That’s also pretty unbelievable.

The growing malevolence is made very obvious but, somehow, it didn’t really make much of an impact on me, possibly because the cast of characters is too big and too widespread, making it a little difficult to remember exactly who they are. If you can’t connect with a character, it’s hard to really care about what happens to them.  When very strange things begin to occur with the plantings, there’s little reaction beyond noting the strange things.

That lack of reaction to practically everything that goes on in this story is essentially why it didn’t work for me because it meant there was no real tension. Despite my lack of enthusiasm for The Memory of Trees, I enjoyed Mr. Cottam‘s style and obvious ability to write and will try something else by him. I do think other readers would enjoy this book more if they take logic and normal human behavior out of it and just read it as a tale of ancient evil come to life.

Reviewed by Lelia Taylor, August 2013.

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Anne Perry and the Murder of the CenturyAnne Perry and the Murder of the Century
Peter Graham
Skyhorse Publishing/W.W. Norton & Company, May 2013
ISBN 978-1-62087-630-5
Hardcover
Originally published in 2011 in New Zealand under the title
So Brilliantly Clever: Parker, Hulme and the Murder That Shocked the World

From the publisher—

The spellbinding true story of Anne Perry, her friend Pauline Parker, and the brutal crime they committed in the name of friendship.

On June 22, 1954, teenage friends Juliet Hulme—better known as bestselling mystery writer Anne Perry—and Pauline Parker went for a walk in a New Zealand park with Pauline’s mother, Honora. Half an hour later, the girls returned alone, claiming that Pauline’s mother had had an accident. But when Honora Parker was found in a pool of blood with the brick used to bludgeon her to death close at hand, Juliet and Pauline were quickly arrested, and later confessed to the killing. Their motive? A plan to escape to the United States to become writers, and Honora’s determination to keep them apart. Their incredible story made shocking headlines around the world and would provide the subject for Peter Jackson’s Academy Award–nominated film, Heavenly Creatures.

A sensational trial followed, with speculations about the nature of the girls’ relationship and possible insanity playing a key role. Among other things, Parker and Hulme were suspected of lesbianism, which was widely considered to be a mental illness at the time. This mesmerizing book offers a brilliant account of the crime and ensuing trial and shares dramatic revelations about the fates of the young women after their release from prison. With penetrating insight, this thorough analysis applies modern psychology to analyze the shocking murder that remains one of the most interesting cases of all time.

We never like to think our children are capable of doing horrific things and it’s even more difficult to understand when two individuals predisposed to such acts find each other. When that happens, behavior that may never have gone beyond thoughts can become reality and this seems to have been the case with Juliet Hulme and Pauline Parker. The interesting thing to me is that Juliet was considered the dominant personality and, yet, it was Pauline’s desire to kill her mother that they carried out.

Both girls thought they were “geniuses far above the common herd of mankind”, a personality trait frequently found in anti-social personality disorders. They had developed their own sort of religion in which sin could be a good thing although they didn’t appear to take it seriously; it was mostly a form of self-entertainment. Both were very narcissistic and showed no remorse when they were found out. In many ways, they mirror the 1924 case of Leopold and Loeb. As intelligent as they may have been, especially Juliet, they were really clumsy with their attack on Pauline’s mother and their ineptitude was probably due to lack of knowledge about such things but there is no doubt that impulse control was not a factor as they planned the murder in detail.

Anne Perry and the Murder of the Century is a fascinating account of a sensational case. Modern-day readers from  the US and other more “sophisticated” countries won’t recognize this as the murder of the century but it certainly was in 1950’s New Zealand. There are recognizable contributing elements such as the girls’ self-imposed isolation and their obsessive dependence on each other and it’s interesting that Juliet received much rougher treatment in prison for no apparent reason.

Overall, the accounting of Juliet’s and Pauline’s lives after prison takes a harsher approach to Juliet, who took the name of Anne Perry in an attempt at anonymity. In particular, she is painted as an icy woman even in her 70’s and, with this, I must take some exception. I had the pleasure of meeting Ms. Perry in 2002 at a book event and spent a few moments chatting with her over my display of her books. She was nothing but charming and friendly and I suspect that her demeanor towards readers is quite different from how she reacts to those who pry into her life. At the time that I met her, I had not heard her story but, when I did a year or two later, it did not change my opinion that she is a likeable person. I believe Anne Perry is a prime example of the young person who commits a terrible act but is able to redeem herself in later life and would never pose a threat to anyone again. I have no reason to doubt the veracity of Mr. Graham‘s account of this crime and its aftermath but it’s time to let it rest. Anne Perry’s private life is hers to protect and I’m content to just enjoy her books.

Reviewed by Lelia Taylor, August 2013.

Book Blitz: Fable by Chanda Hahn

Fable Blitz Banner

Fable by Chanda Hahn
(An Unfortunate Fairy Tale #3)
Publication date: August 27th, 2013
Genres: Fairy Tales, Fantasy, Young Adult

Synopsis:

Book 3 in the UnEnchanted Series.

All that glitters is not gold.

When something precious is stolen from sixteen-year-old Mina Grime, she
will do anything in her power to get it
back, even if it means traveling to the
dangerous Fae plane and battling one of the strongest fairy-tale villains yet.

However, nothing can prepare Mina for the dangerous obstacles she will face in
the Fae world, or the
choices she must make when love and life are on the line.

Goodreads

Purchase Links:

Barnes & Noble                    Amazon

Purchase Link Book 1:

Barnes & Noble                    Amazon

Purchase Link Book 2:

Barnes & Noble                Amazon

Excerpt from Fable

FableMina stopped and parted the long weeping willow’s branches, and could see the rose resting against Jared’s black boot. Wait…not Jared—Teague.

Teague reached down to pick up the rose and brought it to his nose to breathe in its scent. His hair was a lighter shade of brown than Jared’s, and his eyes were a deep blue, while Jared’s were a haunting gray. They both had similar angular jaws and drop-deadgorgeous looks. Teague once again was dressed in black, and Mina had a mind to joke about whether he was going to a funeral, but he was, so the words died on her lips before she even spoke them. Instead, she glared at him and held out her hand, demanding the rose without saying a word.

Teague’s eyes widened and looked her over, never once dropping his Cheshire Cat smile. “I only came to pay my respects.”

“What respect? You don’t respect me or my family. Otherwise, your kind never would have cursed us.”

“You’re wrong—it’s always wise to respect your enemies.”

“Well, I don’t respect you.”

“You should, Mina. Do you see what happens when you ignore your duty—when you ignore me?” He pointed to Charlie’s grave, and his voice became threatening. “I don’t like to be ignored, and now you have one less distraction in your life, so you can focus more of your time on me.”

Teague’s words confirmed her worst fears. Her actions had led Teague to strike out against her family and kill her brother. Her stomach dropped, bile rose in her throat, and every inch of her was sick with the guilt his words layered on her. It was her fault, and she knew it. But she couldn’t show him how weak she was, and how much his words had affected her. She had one more person to protect: her mother, and she would not be negligent again.

“You’re not welcome here. So please leave.” Mina snatched the rose out of Teague’s hand and felt a sting in her palm. She winced in pain but refused to acknowledge it.

Teague reached for her hand, and Mina let him open up her palm to inspect her wound from the thorn. She was still reeling, and her whole body shook with anger. Teague leaned forward and blew on the small cut in her palm, and it healed itself. She ripped her hand from his grasp and took two steps away from him, almost falling on the ground. She needed to keep better control of herself.

She needed Jared.

“How is my dear brother?” he asked, as if reading her mind.

“Why don’t you ask him yourself?”

His eyes darkened. “We are not exactly on speaking terms.”

“It wouldn’t have anything to do with the fact that you keep trying to kill me, would it?”

“Now, sweet Mina, our fight goes back long before you were born. But you can’t hold it against me that I’m only doing my job. I’m supposed to throw quests your way, and you are supposed to try to stop me. It’s as simple as that. I can’t help it if we have a casualty or so in the process. That’s what makes the stories so good.” He smirked. “That’s what makes them popular. That’s what makes me powerful.” He was so close to her now that he ran the back of his finger across her cheek, and she flinched and smacked it away.

“I see that you are as disgusting as ever.”

“I see that you’re getting your fight back. You know, Mina, out of all the Grimms over the years who died at the hands of my fables, you are by far my favorite to toy with. I wonder why that is?” he asked, appearing to ponder the question.

“Maybe because you picked the wrong girl to mess with.”

“I don’t think so. I’ve finally found the perfect Grimm. I think you will be the most challenging. Which means your ending, the tale that finishes you off, will make us both famous.”

Mina’s lip trembled, and she steeled herself to not show fear. She stood her ground and looked Teague right in the eye. “A thousand sweet words can never disguise the rattle of a viper about to strike. I will not drop my guard ever again. And I will end this curse…by doing whatever…or killing whoever…I have to.”

Teague’s face turned furious, and his lips pressed into an angry thin line. “Then be prepared, my dear Mina, for you won’t be able to ignore this next tale. I’ve made sure of that.” He stepped away from her. A crack of thunder rattled the earth and she jumped, turning in surprise. A second later, pouring rain followed, soaking everyone within minutes. Mina turned back toward Teague, but he was gone.

About the Author

Chanda HahnPronunciation: Sh-and-uh   H-ah-n

Chanda is the  author of the popular YA Unfortunate Fairy Tale Series which includes UnEnchanted and Fairest.  Both books have topped the ebook charts in 5 countries. She also pens YA epic Fantasy.

She was born in Seattle, Washington, raised in Nebraska, has lived in MN, IL and currently lives in Portland, Oregon with her husband and twin children. She’s a former children’s librarian and children’s pastor. Currently she spends her free time penning new novels and a daytime taxi driver for her kids.

Author links:
Website
Goodreads
Facebook
Twitter

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On Writers and Pigeons

Jeanne MatthewsJeanne Matthews is the author of the Dinah Pelerin international mysteries published by Poisoned Pen Press.  Like her amateur sleuth, Jeanne was born with a serious wanderlust.  Originally from Georgia, she enjoys traveling the world and learning about other cultures and customs, which she incorporates into her novels.  She currently lives in Renton, Washington with her husband, who is a law professor, and her West Highland terrier, who is a law unto herself.  Her Boyfriend’s Bones, the fourth book in the series, is in bookstores now.  You can learn more about Jeanne’s books at www.jeannematthews.com.

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Victor Hugo wrote in the nude.  T.S. Eliot wrote wearing pale green, lily-of-the-valley face powder and lipstick.  And Dan Brown devises his plots while hanging upside down like a bat on a special inversion therapy frame.  Keep these pictures in mind and I’ll get to the pigeons in a minute.

Most writers have their established rituals.  They have settled on an optimum time of day to write and a preliminary habit or exercise that tees up the ball, so to speak.  James Joyce played the piano before he started writing.  Don DeLillo stares at a photograph of Jorge Luis Borges.  Maya Angelou browses the Bible or shuffles a deck of cards.  William Least Heat Moon required a supply of cedar pencils carved by Native American artisans.  Vladimir Nabokov wanted just an ordinary No. 2 pencil and a box of lined index cards, although he couldn’t think what to write on the cards unless he was lying down smoking a cigarette.

Rituals are a form of self-hypnosis.  They allay our anxieties and afford the comfort of repetition.  Few of us would admit that they are driven by superstition.  Superstition is irrational or, as Webster’s dictionary defines it, “a false conception of causation.”  But if the thing you did last time worked, don’t mess with it, right?  If the story that popped into your head while you were hanging upside down earned you a bezillion dollars and a Hollywood contract, you’ve got to figure that hanging upside down is a critical component of your success.  Change and maybe next time the words won’t flow as easily, or maybe they won’t flow at all.

We writers are magical thinkers in spite of ourselves.  Carson McCullers always wore the same sweater when she wrote; Isabelle Allende begins writing each new novel on the same date she began her first; Steven Pressfield sets a toy cannon atop his thesaurus to fire up his word power; and A.S. Byatt needs her collection of pumice, preserved insects, and snail shells around her.

The modus operandi of some writers can seem eccentric, if not downright crazy.  Alexander Dumas claimed that he couldn’t write unless seated beneath the Arc de Triomphe eating an apple.  Dickens walked twenty to thirty miles a day and obsessively touched certain objects at least three times each day.  And William Blake couldn’t write without entering a dream state in which angels appeared and whispered their message in his ear.  He saw the spirits’ words flying about the room in all directions like a hive of disturbed bees until they finally alit in coherent order on the page.

Of course, you don’t have to be crazy to make people think you are.  Aaron Sorkin likes to act out his characters’ dialogue while watching himself in the mirror.  Back in 2010, he got into character a little too deeply, head-butted the mirror, and broke his nose.  He may since have placed a protective barrier Her Boyfriend's Bonesbetween himself and his reflection, but I’m guessing his routine hasn’t changed.  Sorkin’s kind of crazy spells m-o-n-e-y.

I think it’s because writers don’t entirely understand the alchemy of transforming a blank page into an alternate reality that we approach the process with such a sense of mystery and trepidation.  Sometimes it seems as though a particularly compelling scene or character or a telling bit of dialogue really did come from a source beyond ourselves – whispering angels or that ineffable muse we talk about so much.  We surprise ourselves with thoughts we didn’t know we had and, instinctively, link these flashes of brilliance and bons mots to the ritual performed just prior to receiving the brainwave.

Okay.  This is where the pigeons come in.  The psychologist B.F. Skinner once conducted an experiment with a cage full of them.  He fed them at regular intervals with no regard whatever to the birds’ behavior.  What he discovered was that each bird associated the arrival of the food with whatever it happened to be doing at the time.  One bird turned counter-clockwise three times; another pointed its beak toward a particular corner of the cage; one swayed its head to and fro like a pendulum.  Each believed that his little ritual influenced the delivery of the food.

I rest my case.  Writers are fundamentally no different from superstitious pigeons.  Me, I keep a basket of buckeyes on my desk and when stuck for inspiration, I worry one until it shines.  I don’t know if this conjures up ideas or elevates my prose, but those nuts have brought me this far.  And even if it’s bird-brained to think they make a difference, I wouldn’t get rid of them for the world.  Besides, my Southern relatives assure me that buckeyes ward off arthritis.

Cover Reveal: Forty Nights by Stephanie Parent

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Forty Nights (Neima’s Ark #2)
Release Date: September 2013
Cover Designed by: 
Najla Qamber Designs
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Summary from Goodreads:
Neima, her family, and her grandfather Noah have found themselves trapped aboard an ark as a great
flood destroys all life in the world. As their time aboard the ark lengthens, food begins to run out, wild
animals grow restless, and family tensions become as much of a threat as the flood outside. In the second
and final installment of Neima’s Ark, the stakes are higher, the conflicts are greater, and Neima finds
herself facing a choice as impossible as the destruction all around her.


Forty Nights is a continuation of the story begun in Forty Days, and it’s recommended that you read Forty Days
first for the best experience. Forty Nights does, however, contain a character guide to refresh readers’ memories.
The Neima’s Ark series is a historical, feminist reimagining of the story of Noah’s Ark rather than a religiously
oriented one, and the novels are best suited for readers who are comfortable with new interpretations of biblical stories.
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Book One:
(Linked to Goodreads)
Forty Days is currently FREE!  Get your copy!
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About the Author


Stephanie Parent is a graduate of the Master of Professional Writing program at USC and attended the Baltimore School for the Arts as a piano major. She moved to Los Angeles because of Francesca Lia Block’s WEETZIE BAT books, which might give you some idea of how much books mean to her. She also loves dogs, books about dogs, and sugary coffee drinks both hot and cold.
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***Author Links***
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Book Reviews: The False Prince by Jennifer A. Nielsen and Don’t Breathe a Word by Jennifer McMahon

The False PrinceThe False Prince
The Ascendance Trilogy, Book One
Jennifer A. Nielsen
Scholastic Press, March 2013
ISBN 978-0-545-28414-1
Trade Paperback

The King of Carthya has many enemies.  Some dislike his way of ruling, while others simply want the chance to push their own agendas.  Many in his court detest him for sending away his youngest son, Prince Jaron. No one would argue with the fact that the 10-year old was strong-willed, mischievous, opinionated and completely improper; but he was adored for his spirit.  Immediately upon being sent away, it was said that pirates attacked his ship, Prince Jaron had been killed.  While all of the evidence was there, the boy’s body had not been found in the five years that have passed.

Bevin Conner, serving as one of the king’s twenty regents, wants the king ousted because he believes that the king will not be strong enough to defend the country, and war is imminent.   He learns of the rumour that the King, his Queen, and Jaron’s older brother, the Crown Prince, have been murdered.  Upon gaining this information, he sets out to several orphanages looking for boys that may resemble Jaron as he would look today.  Conner chooses four boys he plans to groom to impersonate the Prince, who will later serve as his puppet in gratitude for being removed from the orphanage.  Obviously, only one boy will be chosen at the end of the two-week training.

The False Prince is intended for the Middle Grade genre (ages 10 – 14).  I can’t imagine a more enticing book for that age group.  The tale is filled with entertaining characters and tons of twists and turns.  It is quite suspenseful and engaging.  While it tells a fascinating and captivating story, there is another layer.  There are characters that are evil to the core, but appear to be looking out for the best interest of the kingdom.    The orphans are unique, and their interactions compelling.  It is clear that they are in a competition, the reader is challenged in determining when, if at all, there is sincerity or camaraderie among them.  Truth and lies are intertwined, promises are made and broken, trickery and sabotage occur frequently; making this a fast-paced story that this reader could not put down (despite being well outside of the intended audience).  It is written in both first and third person, giving the reader different views of each character.  For me, it shows by example, that no matter how insubordinate, flippant and arrogant a person may appear, there could be a heart of gold that can be seen when looking past the apparent character flaws.

This is the first book in the Ascendance Trilogy.  While I have tons more praise to share, I also have the second book in the series, The Runaway King, sitting in front of me begging to be read.

Reviewed by jv poore, April 2013.

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Don't Breathe a WordDon’t Breathe a Word
Jennifer McMahon
Harper, May 2011
ISBN 978-0-06-168937-6
Trade Paperback

I don’t always know what I want when searching for a creepy, scary book.  Two things terrify me, faeries and psychotic minds.  Naturally, I love Don’t Breathe a Word, because this book features both.  Well, at least ONE of those things.  Maybe the two aren’t mutually exclusive.  Maybe they are so intertwined that it is nearly impossible to know which came first.

In many a review, I have used the word “haunting”.  I always meant it.  At the time, whatever I was referring to (the entire book or a passage), indeed felt “haunting” to me.  This book, however, epitomizes the true definition of the word.  The story didn’t pull me in, rather it catapulted into me.  I was captured.  I became invested.  The tale stayed in my mind, like a catchy tune…..admittedly a creepy, terrifying tune; but unshakeable nonetheless.

Ms. McMahon has done amazing things here.  I can give you a Book Review in the rawest sense, I don’t even have to delve into a summary or allude to the plot in order to entice you.

For starters, if this book should ever be made into a film, I will not see it.  The depth and richness of the characters is such that I feel as if I know Bee, Sam and Evie.  I sympathize, support and struggle to understand them.  I accept the flaws that Ms. McMahon has given them and embrace the goodness, even when buried deeply inside of someone.  I won’t have my images spoiled.

The intricacies of the characters’ pasts create and support the strong, unique personalities in this novel.  Of course, spectacular characters can’t carry a book, and there is certainly no attempt to do so here.  Instead, as Bee’s drama unfolds, the reader is kept guessing.  There is more than one mystery to be solved here, but the book won’t be categorized that simply.  Life lessons are learned, heart-wrenching decisions need to be made and loyalties are forcibly tested.  Trust is established and broken.   Inexplicable events in the past become decipherable, yet they become no easier to understand or accept.  Supposed answers only lead to more questions, until there is really only one question remaining.  What is real, and what is not.

Rarely do I find a book that, to me, has everything.  Don’t Breathe a Word does have everything I hope for in an amazing book, yet I’ve read nothing like it before.

Reviewed by jv poore, July 2013.

Book Reviews: The Homecoming by Carsten Stroud and Lowcountry Bribe by C. Hope Clark

The HomecomingThe Homecoming
Carsten Stroud
Alfred A. Knopf, July 2013
ISBN 978-0-307-70096-4
Hardcover

This was a very interesting book.  I hadn’t read Stroud’s first novel, Niceville, but the book blurb seemed unique.  So, I cracked it open and was sure glad I did.

The characters were strong and believable, the plot was quick, and the dialogue was witty.  I wasn’t sure I was in to the “other” world plot of the book, but I have to say, it didn’t take away from the superb writing.  I don’t think it was needed, but it was interesting and began to grow on me.

The two main characters, Nick and Kate, work well together and there was a hint of romance and love.  I thought the police procedural throughout the plot was sound and made complete sense.  So many people today write about how law enforcement does things and are completely wrong.  Stroud was spot on.  The book isn’t too gory and the concept was terrific.

The Homecoming was an excellent read.  I liked it so much I purchased Stroud’s first book.  I would recommend this book to readers interested in great suspense.

Reviewed by Chris Swinney, August 2013.
Author of Gray Ghost.

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????????????????????????????????????????Lowcountry Bribe
The Carolina Slade Mystery Series
C. Hope Clark
Bell Bridge Books, January 2012
ISBN 978-1-61194-090-9
Trade Paperback

I thought Lowcountry Bribe was a great read.  The book started out quickly and never quit.

The main character, Carolina, is a neat woman with a sense of humor and common sense.  Unfortunately, she finds herself in precarious positions.  I’m into suspense novels with a police procedural plot.  Lowcountry Bribe fits this bill perfectly.

The dialogue was entertaining and made sense.  The supporting characters were blended nicely into the story.  I think C. Hope Clark has something going with this Carolina Slade series. I would highly recommend this book.

Reviewed by Chris Swinney, August 2013.
Author of  Gray Ghost.

Cover Reveal: Through Glass by Rebecca Ethington

We are so excited to be able to bring to you the cover reveal for Rebecca Ethington’s THROUGH GLASS
which releases in less than a month on September 20th, 2013.

Both the book’s cover and description are awesome and more than a little bit chilling and we cannot wait for its release.

If you’d like to know more about the author, Rebecca Ethington, be sure to check out
her website, or any of the other places she hangs out online.

And if you can’t wait until September 20th for the release of THROUGH GLASS, the first book in her Imdalind series,
KISS OF FIRE, is now available in eBook format for free at AMAZON, BARNES & NOBLE and for the KOBO.

We love the cover, but what do you think?

COMING SEPTEMBER 20TH, 2013

About THROUGH GLASS

Everyone remembers the day the sky went black. They remember the screams as the blackness ate those who
were out in the open, those who surrounded themselves by light, and those who made noise.

Everyone remembers the voice from the sky, the way food disappeared.

Everyone remembers the day the sky went black, and the sun was wiped from the sky.

At least that’s what I hope. I hope that there is an ‘everyone’ that will remember.

I hope that I am not alone.

Because I remember.

I remember, because it was the day I became alone.

It was the day the house went silent, and the birds stopped singing. It was the day when
everyone disappeared, everyone except the boy, the only person I have seen in two years.

The boy I talk to through the glass.

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GOODREADS

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About Rebecca Ethington

Rebecca Ethington has been telling stories since she was small. First, with writing crude scripts, and then on stage
with years of theatrical performances. The Imdalind Series is her first stint into the world of literary writing.

Rebecca is a mother to two, and wife to her best friend of 14 years. She was born and raised in the mountains of Salt Lake
City, and hasn’t found the desire to leave yet. Her days are spent writing, running, and enjoying life with her amazing family.

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